With Dada Chen at NYAFF 2013

With Dada Chen at NYAFF 2013
With Dada Chen at NYAFF 2013
Showing posts with label Nagisa Oshima. Show all posts
Showing posts with label Nagisa Oshima. Show all posts

Friday, January 13, 2017

MERRY CHRISTMAS, MR. LAWRENCE playing at Japan Society NY tonight at 7:00 PM

Japan Society NY
Presents
Merry Christmas, Mr. Lawrence © 1983 Shochiku Co., Ltd.
Merry Christmas, Mr. Lawrence / Senjo no Meri Kurisumasu
Directed by Nagisa Oshima
With David Bowie, Tom Conti, Ryuichi Sakamoto,
Takeshi Kitano, and Jack Thompson
Japan, 1983, 123 minutes, 35mm, color
In English and Japanese with English subtitles

When: Friday, January 13th, 7:00 PM
Where: Japan Society
333 East 47th Street, NYC
Map

This international co-production from director Nagisa Oshima features a magnetic David Bowie in one of his greatest screen roles as a rebellious British officer imprisoned in a Japanese POW camp during World War II who draws the intense fascination of the camp's conflicted commandant, played by composer Ryuichi Sakamoto. Divided by language and incongruous understandings of duty and honor, the fraught relationship between prisoners and captors slowly builds towards tragedy. Also featuring a breakout performance by Takeshi Kitano in his first dramatic role, Oshima's film is an entrancing, brutal examination of the absurdities of war punctuated by moments of tenderness and poetry.

Screening in memory of David Bowie (January 8, 1947-January 10, 2016) and Nagisa Oshima (March 31, 1932-January 15, 2013).

Watch the trailer here.

Part of Monthly Classics
Year-round screenings of beloved classics, hidden gems and recent discoveries of Japanese cinema. Only $5 for Japan society members!

Friday, December 30, 2016

MERRY CHRISTMAS, MR. LAWRENCE screening at Japan Society NY on January 13, 2017

Japan Society NY
Presents
Merry Christmas, Mr. Lawrence © 1983 Shochiku Co., Ltd.
Merry Christmas, Mr. Lawrence / Senjo no Meri Kurisumasu
Directed by Nagisa Oshima
With David Bowie, Tom Conti, Ryuichi Sakamoto,
Takeshi Kitano, and Jack Thompson
Japan, 1983, 123 minutes, 35mm, color
In English and Japanese with English subtitles

When: Friday, January 13, 7 PM
Where: Japan Society
333 East 47th Street, NYC
Map

This international co-production from director Nagisa Oshima features a magnetic David Bowie in one of his greatest screen roles as a rebellious British officer imprisoned in a Japanese POW camp during World War II who draws the intense fascination of the camp's conflicted commandant, played by composer Ryuichi Sakamoto. Divided by language and incongruous understandings of duty and honor, the fraught relationship between prisoners and captors slowly builds towards tragedy. Also featuring a breakout performance by Takeshi Kitano in his first dramatic role, Oshima's film is an entrancing, brutal examination of the absurdities of war punctuated by moments of tenderness and poetry.

Screening in memory of David Bowie (January 8, 1947-January 10, 2016) and Nagisa Oshima (March 31, 1932-January 15, 2013).

Part of Monthly Classics
Year-round screenings of beloved classics, hidden gems and recent discoveries of Japanese cinema. Only $5 for Japan society members!

Thursday, February 19, 2015

U.S. Premiere of Nagisa Oshima's IT'S ME HERE, BELLETT and 8 experimental shorts by Osamu Tezuka tomorrow evening at Japan Society

It’s Me Here, Bellett / Watashi no Beretto
Directed by Nagisa Oshima
Japan, 1964
When: Friday, February 20, 2015 at 7:00 pm
Where: Japan Society
333 East 47th Street, NYC
(Between 1st and 2nd Avenues)
U.S. Premiere

Tomorrow night will mark the final event of The Dark Side of the Sun: John Zorn on Japanese Cinema film series, which has been marked by "lesser-known or unknown works" selected by the musician, composer and arranger. His picks have been idiosyncratic and quirky, to say the least, and this program is no exception. I had the good fortune to watch what will be shown on DVD screeners, so here's my report.

The main event is the U.S. premiere of Nagisa Oshima's It’s Me Here, Bellett. The Bellett was a sedan car that Isuzu began manufacturing in 1963. This mid-length movie is part of a promotional film originally made for television that was produced by the Directors Guild of Japan for Isuzu. This screening consists of three episodes directed by Nagisa Oshima, long before In the Realm of the Senses (1976) and Merry Christmas Mr. Lawrence (984).

The first is about a two lovers whose romantic weekend is ruined over a quarrel, part of which involves the man's love for his Bellett. The second vignette is about an aspiring actor who buys a Bellett based on the advice of a powerful female producer, played by Akiko Koyama, Oshima’s wife. The final segment is about a male office worker who wants to end an affair with a female co-worker and devote himself to his wife. Again, a Bellett features prominently in the story line. (It should be mentioned that I also found it interesting that cigarette smoking is also very prominent. A sign of years gone by, I guess.)

As this is the first official screening of It’s Me Here, Bellett in the U.S., it's pretty much a must-see for Oshima fans, though it's far from the canon for which he is most well known. General viewers will probably find it a quaint period piece, an interesting time capsule, if you will.

The screening of Oshima's film will be preceded by 8 Experimental Shorts by Osamu Tezuka. Five were made during the 1960s, two in 1987, and the final short, "Self-Portrait" (a 13 second riff on the one-armed bandits at casinos) in1988. "The Genesis" (1968, 3 minutes) is an alternate take on the story of creation as told in the Old Testament and somewhat of a spoof on John Huston's 1966 epic, The Bible: In the Beginning. My personal favorite was "Muramasa" (1987, 8 minutes). Partially this is because it's a samurai tale. The other reason is that it is "pure" animation, having no dialogue whatsoever. The images are beautifully drawn and the only audio is flute and percussion accompaniment.

All eight of these experimental shorts were fascinating and most enjoyable to watch.

Tickets for Friday evening's program are $9 for Japan Society members, seniors & students, $12 for the others.

For complete program information, including descriptions of each of the Tezuka shorts, and to order tickets, click here.

Image © Tezuka Productions.

Oh, and don't forget about the special family-friendly screening of Legend of the Forest, Parts 1 and 2 on Saturday, February 21st at 2:00 pm. The first film was directed by Osamu Tezuka, the sequel by his son Macoto Tezka based on his father's notes and synopsis. Info and tickets here.

Tuesday, February 10, 2015

IT'S ME HERE, BELLET & 8 Osamu Tezuka experimental shorts coming to Japan Society on February 20th


It's Me Here, Bellett
 © 1964 Directors Guild of Japan.
It’s Me Here, Bellett / Watashi no Beretto
Directed by Nagisa Oshima
When: Friday, February 20, 2015 at 7:00 PM
Where Japan Society
333 East 47th Street, NYC
(Between 1st and 2nd Avenues)
Map
U.S. Premiere

One of the few films produced by the Directors Guild of Japan was a promotional film for the Isuzu Bellett- a sedan car that began manufacture in Japan in 1963. Starting with Yasujiro Ozu as advisor to the script, the credits include a slew of A-list film directors such as Heinosuke Gosho and Yoshitaro Nomura with a hip jazz soundtrack by jazz pianist and composer Hachidai Nakamura (also famous for being the composer of the hit song "Sukiyaki"). This mid-length movie is composed of 3 parts, each featuring the Bellett prominently. Each part utilizes different colors to produce different moods, with part 2 starring Akiko Koyama, Oshima’s wife. Originally made for television, It's Me Here, Bellett is a must-watch for Oshima fans as this will be the first ever official screening in the U.S.

The Oshima film will be preceded by 8 Experimental Shorts by Osamu Tezuka. The grandfather of anime and creator of legendary works such as Astro Boy and Buddha, Tezuka also made experimental shorts to explore the possibilities of animation. Series curator John Zorn selects 8 of his favorite shorts to precede It's Me Here, Bellett.

Tickets:  $12/$9 Japan Society members, seniors & students

For more information about the program, including descriptions of the Tezuka experimental shorts, and to purchase tickets, click here.

Part of The Dark Side of the Sun: John Zorn on Japanese Cinema film series.

Sunday, March 25, 2012

ACF 1400: Nagisa Oshima's TABOO at Japan Society this evening

  Taboo / Gohatto
Directed by Nagisa Oshima
With Takeshi Kitano, Ryuhei Matsuda, Shinji Takeda,
Tadanobu Asano, and Yoichi Sai
Japan, 1999, 100 minutes
In Japanese with English subtitles
When: Sunday, March 25, 2012 at 7:00 PM
Where: Japan Society
333 East 47th Street, between 1st and 2nd Avenues, NYC

Japan Society's new film series, As Cherry Blossoms Fall: Films & Scenes of Sakura, continues tonight with this screening of Nagisa Oshima's Taboo at 7 PM.

Synopsis: In 1865 Kyoto, Japan’s rigid samurai code is threatened by the emotional whirlwinds of passion and desire. A samurai militia unit that defends the Shogunate enlists 18-year-old Kano, a warrior whose mesmerizing good looks immediately intrigue his fellow students, superiors and even his captain (Beat Takeshi). After a series of mysterious murders provoke further suspicion, disorder erupts

Tickets: $12 general admission, $9 for Japan Society members, seniors and students

Buy Tickets for TABOO Online or call the Japan Society Box Office at (212) 715-1258, Mon. - Fri. 11 am - 6 pm, Weekends 11 am - 5 pm.

The film series As Cherry Blossoms Fall is presented in association with the Japan Foundation and runs through April 14, 2012. Series information here. The film series is part of Sakura — Spring Renews, Beauty Blooms.

Thursday, March 15, 2012

ACF 1381: Nagisa Oshima's IN THE REALM OF THE SENSES at Japan Society tomorrow night

Tatsuya Fuji, left, and Eiko Matsuda) as the two lovers
In The Realm of the Senses / Ai no Korida
Directed by Nagisa Oshima
With Tatsuya Fuji, Eiko Matsuda, Aoi Nakajima
Japan, 1976, 102 minutes
When: Friday, March 16th at 10:00 PM
Where: Japan Society, 333 East 47th Street, NYC
Between 1st and 2nd Avenues
Tickets here

Like some of Oshima's other films (Death by Hanging, 1968, and Boy, 1969), In the Realm of the Senses was based on an actual event. In 1936, as Japanese militarism was on the rise, a couple had a intensely "passionate, obsessive, and finally self destructive love affair." (I've appropriated this phrase from Donald Spoto's characterization of the novel upon which Alfred Hitchcock's film Suspicion was based; see Spellbound by Beauty: Alfred Hitchcock and his Leading Ladies, Three Rivers Press, 2008, page 107.) Their story was widely known to Japanese at that time and subsequently. However, since some potential viewers do not know the story, I will not spoil it by giving away what happens to the pair. Suffice it to say, what came to pass is disquieting in the extreme.


This film is one of the most controversial Japanese movies ever made. Traditionally, the depiction of genitalia or even pubic hair was not just taboo in Japan but illegal. Actresses in the so-called "Pink Films" had to endure wearing "maebari," a skin-colored tape which fight snugly between their legs and over their vaginas. (See Japanese Cinema Encyclopedia: The Sex Films by Thomas Weisser and Yuko Mihara Weisser, Vital Books, 1998, page 23.)


Oshima flaunted convention and defied Japan's obscenity laws by making a film that graphically, explicitly depicted sex acts, both fellatio and penetration during intercourse. He was only able to shoot these scenes (on a closed set with just him and the actors) because the film was technically a French production by Anatole Dauman. Oshima was subsequently tried for obscenity in conjunction with his publishing the scenario for the film, but was ultimately acquitted.


Clearly In the Realm of the Senses is adult-only fare. One can argue, and many have, as to whether or not the film is pornographic. I contend that it is not. Pornography, particularly hard core porn, is intended primarily to provide a visual aid for masturbation by a solitary viewer. Whatever "dialogue" it may include is intended merely as a brief bridge between sex scenes. And for a porn movie, multiple "money shots" (i.e., male ejaculations) are de rigueur. None of these are the case with In the Realm of the Senses.

Oshima, left, and the cast of In the Realm of the Senses

Still, it's explicitness makes it problematic viewing for some, whether at a public screening, such as the one this Friday evening at Japan Society, or at a private viewing (the film is available on a fine Criterion release).

In the Realm of the Senses would be worth seeing if only because its significant place in the history of Japanese cinema. (Even today, the genitalia in the film  are "fogged" when it is screened in Japan, although some scenes that were once banned are now permitted to be shown.) Beyond that, the film is a fascinating, well-told and acted story of two people who flew in opposition to the currents of their time and experienced an incredibly intense, if ultimate brief, love affair.

ACF Rating: 3.5 out of 4 stars, highly recommended.

In The Realm of the Senses is being shown as part of Japan Society's Globus Film Series Love Will Tear us Apart. Series info here. Prior to Senses, there will be a screening of Snakes and Earrings at 7:30 PM Friday evening. Info about that film here. There are separate admission charges for each film.

Thursday, November 04, 2010

ACF 757: Oshima's Pleasure of the Flesh FREE at Asia Society NY tomorrow!!!!!

Both images (c) Janus Films

Pleasures of the Flesh
Directed by Nagisa Oshima
Japan, 1965, 91minutes, 35mm, Color
Showtime: Friday, November 5, 2010, 6:45 PM
Screening location: Asia Society and Museum
725 Park Avenue at 70th Street, NYC

The Asia Society and Japan Foundation new film series Japanese Cinema 1960s kicks of tomorrow evening with this very good film from renown Japanese director Nagisa Oshima.

Admission is free!!!!!

Tickets can be registered online and are available for pick-up on days of events. For more information, visit http://asiasociety.org/japanesecinema1960s or call (212) 517-ASIA.


In a career spanning four decades, Oshima (Cruel Story of Youth, In the Realm of the Senses) has made some of the most memorable as well as formally and politically provocative films highlighting outcasts, criminals and rebellious youth in Japanese film history. In Pleasures, a lovesick young man entrusted with a case of money belonging to an imprisoned bureaucrat embarks on a year of sexual fantasies and indulgence. (Janus Films)

“Japan’s greatest living filmmaker.” – J. Hoberman, Village Voice

Japanese Cinema 1960s consists of five films and will run through December 10th, 2010. For full information, click here.

This series is co-presented with Japan Foundation. This project is supported in part by a grant from the Institute of Museum and Library Services.

And though I always encourage attendance at public theatrical presentations, I recognize that some people can't make it. For them, I pass on the info that Pleasure of the Flesh is one of the five films on DVD in Oshima's Outlaw Sixties (Eclipse Series 21) from The Criterion Collection. It's the one film in the box set that I've seen so far, and it's a fine transfer of a very good film. But go see it for free at Asia Society if you can!

Thursday, September 25, 2008

ACF 155: Nagisa Oshima Film Retrospective at Lincoln Center

Director Nagisa Oshima, "The Godard of the East"

As a sidebar to the 46th New York Film Festival, the Film Society of Lincoln Center will be launching the North American tour of In the Realm of Oshima from September 27 through October 13, 2008. This retrospective will present 26 titles, nearly all the films made by the highly regarded and idiosyncratic director over a career spanning five decades.

Curated by James Quandt and co-organized by The Film Society of Lincoln Center and the Cinematheque Ontario, the films will move on to several prominent institutions after screening in New York. Other venues include the Walker Art Center in Minneapolis, Pacific Cinematheque in Vancouver, Harvard FIlm Archive in Cambridge, MA, Northwest Film Center in Seattle, Pacific Film Archive in Berkeley, CA, the National Gallery of Art in Washington D.C., and the George Eastman House in Rochester, NY.

The series name is a play on Oshima's In the Realm of the Senses (1976). Controversial, even infamous, it's probably his most well-known film in the West. Based on an actual incident, as were other of his works, the film is about a hotel maid and her lover & employer who push their sexual encounters to startling levels. Explicit and not for the everyone, it will screen twice, including a midniight showing on Saturday, September 27th.