With Dada Chen at NYAFF 2013

With Dada Chen at NYAFF 2013
With Dada Chen at NYAFF 2013
Showing posts with label Taiwanese Cinema. Show all posts
Showing posts with label Taiwanese Cinema. Show all posts

Friday, December 10, 2021

Joseph Kuo's 7 Grandmasters reviewed; screens tomorrow in NY

Courtesy of Mei An Entertainment Group Ltd.
7 Grandmasters / Jue quan
Directed by Joseph Kuo
Taiwan, 1977, 89 minutes

7 Grandmasters, one of the best kung fu films from Taiwan director Joseph Kuo, will be screened this coming Sunday, December 12th at 1:00 p.m. at New York's Museum of the Moving Image. It is being shown as part of the 9th Old School Kung Fu Fest: Joseph Kuo Edition, which is being presented by the Museum of the Moving Image and Subway Cinema in association with the Taipei Cultural Center in New York, Ministry of Culture, Republic of China (Taiwan). 

In this tale, Shangguang Zheng (also spelled Sang Kuan-chun), grandmaster of the Bai Mei strike technique, puts off his retirement and travels with his daughter and three male disciples to challenge seven other grandmasters to prove his worthiness of receiving an accolade from the imperial court. Along the way they are joined by Sha Shaoyiang, who fervently desires to also become a disciple, despite Zheng's insistence that he is not taking on any new students as he's on the verge of retiring.

As you can imagine, what with seven grandmasters to face, the film is packed with high-octane action sequences that have been choreographed by Corey Yuen and Yuen Cheung-yan. Throw in subplots featuring the traditional themes of "you killed my master" and "you killed my father" as well as a sneak attack of black-cad would be assassins, and even the most demanding of old school kung fu fans will be more than satisfied.

AsianCineFest Rating: 3.5 out of 4 stars, very highly rated.

Buy tickets for 7 Grandmasters here.

Learn more about Joseph Kuo at Subway Cinema’s website.

Saturday, October 12, 2019

Stylish Crime Thriller WHO KILLED COCK ROBIN is coming to DVD and Blu-Ray on October 15,2019

Cheng Cheng Films
Presents
Who Killed Cock Robin / Mu ji zhe
Directed by Cheng Wei-Hao
Taiwan, 2017, 118 minutes

Fans of acclaimed filmmaker Cheng Wei-hao’s recent work on The Tag-Along movies may take a liking to the subliminal poetry that coalesces in the grim, horrific milieu of his latest thriller, Who Killed Cock Robin which is coming to DVD and Blu-Ray on October 15th, 2019.

Hand-held cinematography goes hand-in-hand with Cheng’s vision as it takes a life of its own, loosely iterating its own incarnation of an old English poem with a narrative aptly suited for the film’s title; More than a murder mystery, Cheng unravels a tale of sex, greed and malfeasance drenched in a mystique of rainy weather and dour blue filters with a dark tint that almost never lets up. ……

Needless to say, if you’re compelled to watch Who Killed Cock Robin a few more times, it wouldn’t be too much of a task. Cheng crafts a nimble story of murder and mystery that elevates into something far more consequential, mesmerizing and transformative in its own way.

Who Killed Cock Robin is a tale ripe with a number of suspense and horror tropes with a touch of sex and corruption thrown in the mix. Enthralling and stimulating in its pulp-style character development, the film recapitualtes with an ending only as cathartic as you’ll allow yourself to feel given that the imagery in the third act is not for the faint of heart. br /> br /> All in all, Cheng’s newest offering is one of the wildest and scintillating psychological thrill rides you’ll ever sit through, and after a few breaths, you’ll be back for seconds just to make sure your head is still on straight.

Synopsis:

In this delicately scripted gut-wrenching psycho-thriller from award-winning filmmaker Cheng Wei-Hao (The Tag-Along), an ambitious journalist who witnessed a hit-and-run years ago reboots his investigation led by newly emerged clues. As he beats the clock to save the only survivor after her sudden disappearance, layers of unimaginable dark truths around a corrupted system start peeling.

Tuesday, April 23, 2019

THE GREAT BUDDHA+ coming to DVD and Blu-ray on April 26, 2019

Cheng Cheng FIlms
Presents
The Great Buddha+
Written and Directed by HUANG, Hsin-Yao
Starring: CHUANG, Cres / CHEN, Bamboo/ DAI, Leon
Taiwan, 2017, 104 minutes

The Great Buddha+, a terrific Taiwanese satire, will become available on DVD and Blu-ray on April 26th, 2019. The release will include these bonus features: The Great Buddha (short film), Making-of, and Trailer.


Underlining the gap between the olifves of the have-nots and the elites by switching between black and white and glamorous colors, Taiwan's 91st OSCARS® entry The Great Buddha+ vividly illustrates a corrupted village in rural southern Taiwan with memorable style, heartfelt empathy, and whimsical humor. Security guard Pickle and his trash collector friend Belly Button kill time together in night shifts watching the American-educated boss's dash-cam recordings of his various sexual encounters with women. Against the buddies’ will, something horrifying rather than erotic reveals.

Wednesday, January 23, 2019

WHO KILLED COCK ROBIN, Taiwanese psychological crime thriller, available on January 31st as VOD, and at select theaters starting in February

Cheng Cheng Films
Presents
Who Killed Cock Robin / Mu ji zhe
Directed by Cheng Wei-hao
Taiwan, 2017, 118 minutes

Who Killed Cock Robin, a psychological crime thriller directed by award-winning Taiwanese filmmaker Cheng Wei-hao (The Tag-Along franchise) starring Taiwanese-American actor Mason Lee (Billy Lynn's Long Halftime Walk, The Hangover II) will hit VOD on January 31th and open in select theaters in North America during the next few months.

Who Killed Cock Robin follows an ambitious journalist’s investigation into a hit-and-run he witnessed years ago. As he beats the clock to rescue the disappeared news source, layers of unimaginable dark truths about a corrupted system start peeling.

Known for The Tag-Along, a ghost folklore-inspired horror franchise that broke the genre’s box office record in Taiwan once held by Hollywood's The Conjuring, director Cheng Wei-Hao is currently among the most sought-after Taiwanese talents. A passion project he had been working on for six years, Who Killed Cock Robin continues Taiwan New Cinema's legacy of exploring human conditions and reinvigorates it with gripping suspense and dazzling gore.

The film has received nominations including Best Picture at Taipei International Film Festival, Best Director at Shanghai International Film Festival and Best Actor at Taiwan Golden Horse Film Awards, the Oscars of the Chinese-speaking world. It's rated on Chinese movie review site by viewers as one of the top Asian thrillers of all time.

The New York-based distributor specialized in Chinese language cinema Cheng Cheng Films is handling its release in North America. Viewers in US and Canada will be able to stream the film at VOD platforms below starting on 1/31/2019. Opening theaters will be updated at its official North American website: whokilledcockrobin.com.

Available on 1/31/2019 at these VOD platforms:
DISH, Verizon FiOS, DirecTV,
Spectrum/Time Warner, Cox, Optimum/CableV,
Comcast, Sling, iNDemand
Google Play, Amazon Prime Video, Vimeo on Demand

Sunday, July 01, 2018

GATAO 2: RISE OF THE KING reviewed; playing at 2018 NYAFF on Wednesday, July 4th, 2018

Gatao 2: Rise of the King
Directed by Yen Cheng-Kuo
Taiwan, 2018, 126 minutes
In Taiwanese and Mandarin with English subtitles

When: Wednesday, July 4th at 5:15 PM 
165 W 65th Street, NYC 
Tickets

North American Premiere  

Gatao 2: Rise of the King is nominally a sequel to Gatao, the 2015 Taiwanese film directed by Joe C. Lee Wan-Kit. But, as the film is described in NYAFF publicity materials, it is a "stand-alone gangster saga." ("Gatao", by the way, means gang leader.) The director this time around is Yen Cheng-Kuo; Rise of the King is his directorial debut. Yen is a former child star (his first screen credits were two films that came out in 1980 when he was approximately six years old). Later he "narrowly escaped the death penalty and instead served 10 years in prison for kidnapping." The cast of "2" also appears to be largely, if not entirely, different from the original.

The film centers on the conflict between two former friends. Ren (Shih-Hsien Wang) is old school, believing in integrity and loyalty, while Jian (Collin Chou) will do whatever it takes to get to the top. The bulk of the story takes place three years after an introductory segment which ends with Jian being arrested and taken away the police. After getting out of prison, he somehow manages to become the head of Jian Corporation. Just how this happens is never explained; the viewer has to take it on faith that he has managed to make the most of his criminal skills to amass connections, wealth and power.

Jian seeks out Ren, wanting him to become an associate in his illegal endeavors. But Ren is loyal to his boss, President Gui (Jack Kao) and rejects Jian's offer out of antipathy to the nature of Jian Corp's business. Consequently, a gang war breaks out between the two sides. Large-scale street battles result that involve the criminals' weapon of choice, bats, although fists, feet, knives and even the occasional gun are also employed. The latter is used to great effect by one of Jian's henchmen, the white-haired nut-job appropriately known as Syko (Samuel K).

I have not seen the original Gatao, but didn't feel that fact in any way significantly diminished my enjoyment of Gatao 2: Rise of the King. Overall it's a interesting, well-structured and -filmed action movie. It proves that Taiwan can produce a gangster flick on a par with those of Hong Kong, Japan and South Korea, and that Yen should have a promising future as a director.

AsianCineFest Rating: 3 out of 4 stars; solidly recommended.

Friday, June 22, 2018

THE GREAT BUDDHA + plays in Seattle on Sunday July 1, 2018

Cheng Cheng Films
Presents
THE GREAT BUDDHA +
Written and directed by HUANG Hsin-Yao
Producer by YEH Jufeng and CHUNG Mong-Hong
Starring CHUANG Cres, CHEN Bamboo, and DAI Leon
Taiwan, 2017, 104 minutes

THE GREAT BUDDHA +, a wonderful drama from Taiwan, will be playing in Seattle on Sunday, July 1, 2018 at SIFF Cinema Uptown, 511 Queen Anne Ave N.

Synopsis:
Provincial friends Pickle and Belly Button idle away their nights in the security booth of a Buddha statue factory, where Pickle works as a guard. One evening, when the TV is on the fritz, they put on video from the boss’s dashcam—only to discover illicit trysts and a mysterious act of violence. Expanded from a short, Huang Hsin-yao’s fiction feature debut The Great Buddha + (the plus sign cheekily nodding to the smartphone model) is a stylish, rip-roaring satire on class and corruption in contemporary Taiwanese society. (New Directors New Films)

I saw the film this past April in conjunction with its New York Premiere at the New Directors New Films series jointly presented by the Museum of Modern Art (MoMA) and the Film Society of Lincoln Center.

AsianCineFest Rating: 3.5 out of 4 stars; highly recommended.

Tuesday, March 27, 2018

THE GREAT BUDDHA + will be shown at the NEW DIRECTORS/NEW FILMS festival in New York

Cheng Cheng FIlms
presents
The Great Buddha +
Written and directed by HUANG Hsin-Yao
Starring Cres CHUANG, Bamboo CHEN, and Leon DAI
Taiwan, 2017, 104 minutes

Taiwanese director HUANG Hsin-Yao's feature film debut The Great Buddha + will have its New York Premiere at the 47th New Directors/New Films festival. It will be shown on Tuesday, April 3rd at 8:45 PM at MoMA's Titus 2 theater and on Wednesday, April 4th at 6:30 PM at the Walter Reade Theater of the Film Society of New York. For venue information and to buy tickets, click here.

Synopsis:
Provincial friends Pickle and Belly Button idle away their nights in the security booth of a Buddha statue factory, where Pickle works as a guard. One evening, when the TV is on the fritz, they put on video from the boss’s dashcam—only to discover illicit trysts and a mysterious act of violence. Expanded from a short, Huang Hsin-yao’s fiction feature debut The Great Buddha + (the plus sign cheekily nodding to the smartphone model) is a stylish, rip-roaring satire on class and corruption in contemporary Taiwanese society.

Sunday, October 02, 2016

SOULMATE receives 7 nominations at Taiwan Golden Horse Film Awards, now in North American theaters


Soulmate, a drama about two girls' decades long friendship, received 7 nominations from Taiwan Golden Horse Film Awards, the Chinese cinema’s equivalent of Oscars. Both actresses, Zhou Dongyu and Ma Sichun are nominated for Best Actress in a Leading Role. The nominees were announced on Saturday in Taipei.

The film was adapted by veteran Hong Kong film director Peter Chan (Comrades Almost a Love Story, Dragon) from a online novel written by Anni Baobei. Soulmate was nominated for Best Director, Best Leading Actress (two) , Best Adapted Screenplay, Best Editing, Best Costume Design and Best Original Film Song.

Producer Peter Chan, director Derek Tsang, two leading actresses Zhou Dongyu and Masichun reacted to the nomination.

Peter Chan: I’m gratified and relieved. (Both actresses you picked for the roles are nominated) It’s perfect! Both of them are indispensable.

Director Derek Tsang: I’m very grateful. I’m so excited! I don’t know what to say. My mind has gone blank. (You were nominated for Best New Director in 2010. Now you are in the same category with Feng Xiaogang and Johnnie To) It’s a great honor to be nominated together with them. I feel I have already won. They are both masters. Their films are great. (Both actresses are nominated for Best Leading Actress?) Both of them getting nominated actually is exactly what I have been hoping for. Because both of them did such wonderful job in Soulmate. This is what I have wanted to see. Now I have finally seen it happen. Don’t know what to say. I am thrilled.

Zhou Dongyu: Hahaha…Happy! I don’t always get nominated. The photo…(Talking about the still used for nomination announcement) The teeth, the eyes…so tight. Thanks to the director! Thanks to July. Thanks to Soulmate. Thanks to everybody!

Ma Sichun: (Teared up) It’s my first time getting nominated for Best Leading Actress. I’m shocked, moved and surprised. It’s a special thing. I’m grateful I have a wonderful co-star Zhou Dongyu. I am happy for her. I am happy for all of us. Thanks to the director, our producer and the entire team. They lifted us up. My special thanks to Dongyu. We had great chemistry. This is my second Golden Horse nomination. I thought I wouldn’t be so lucky to get nominated twice in a row. I can’t thank enough.

The film is now playing in theaters in North America. Full theater list is at filmsoulmate.com.

Friday, May 27, 2016

Retrospective of cinematographer MARK LEE PING-BING coming to MoMA NY in June

The Rooftop
Luminosity: The Art of Cinematographer Mark Lee Ping-Bing
When: June 16–30, 2016
Where: : Museum of Modern Art (MoMA)
11 West 53rd Street, NYC

In a career that spans over three decades, Mark Lee Ping-Bing (Taiwanese, b. 1954) has distinguished himself as one of the world’s foremost cinematographers and moving image creators. His exquisite presentation of light, shadow, and color; graceful camera movement; and arresting compositions bring cinematography’s central role in the creation of motion pictures to the forefront. Lee is a master of filming in natural- and low-light conditions, revealing dense, lustrous layers of light and darkness that provide incredible depth and space. Each frame allows viewers to immerse themselves in rich visual landscapes, whether naturalistic or highly stylized. Lee’s seductive, observant long takes do more than punctuate the passage of time; they mark subtle emotional transformations and inject distinctive rhythmic shifts. He has shot primarily on film throughout his career, and he remains among a small number of cinematographers who continue to use this medium today.

An essential partner to the directors he works with, Lee is best known for his longtime collaboration with director Hou Hsiao-Hsien. In the 10 award-winning features they’ve made together, the duo has defined a vision for Taiwan New Cinema realism—and beyond. Lee has also collaborated with such celebrated filmmakers as Wong Kar Wai, Tran Anh Hung, Tian Zhuangzhuang, and Ann Hui, and his work has won him numerous international honors, most recently a Silver Bear for Outstanding Artistic Contribution at the 2016 Berlinale, for Crosscurrent. For this first American retrospective of Lee’s work, MoMA presents a diverse group of films from Taiwan, Hong Kong, China, Vietnam, Japan, and France.

Tuesday, January 26, 2016

THE ASSASSIN reviewed; debuts on home video today

Well Go USA
Presents
 The Assassin / Nie yin niang
Directed by Hou Hsiao-hsien
Taiwan/China/Hong Kong/France, 2015, 105 minutes

The Assassin, Hou Hsiao-hsien's award winning martial arts themed art house film, debuts today on Blu-ray™, DVD and Digital HD from Well Go USA Entertainment. The film is based on a Tang Dynasty short story by Pei Xing entitled Nie Yinniang (the assassin's name) and earned Hou the Best Director award at last year's Cannes film festival, where it also received the Soundtrack Award for composer Gong Lim, who also contributed to the soundtrack to Hou's Millennium Mambo (2001). At the 2015 Golden Horse Film Festival, The Assassin was nominated in ten categories and received prizes for Best Director, Best Feature Film, Best Cinematography, Best Makeup & Costume Design and Best Sound Effects. It was Taiwan's official entry to the 2015 foreign-language Oscar race, but was not nominated.

I first saw the film last November at the Elinor Bunin Munroe Film Center of the Film Society of Lincoln Center (where it is still playing) and recently watched the Blu-ray release from Well Go for this review.

Set in the ninth century, the film revolves around Nie Yinniang (Taiwan-born actress Shu Qi, who also starred in Hou's Millennium Mambo and Three Times) , a young woman who was taken from her family when she was ten years old and raised by a nun, Jiaxin, who trained her to be a master assassin who would righteously slay corrupt officials. After a twang of conscience stopped her from completing an assignment, Jiaxin takes Nie Yinniang back to Weibo, the land of her birth, and tasks her with killing Tian Ji'an (Chang Chen, Crouching Tiger, Hidden Dragon and The Grandmaster), to whom she was betrothed as a child. Will she complete her assignment or once again question the righteousness of her task?

Hou is not concerned with narrative and hence there is little dialogue. What the director and Mark Lee Ping Bin, Hou's director of photography, have produced in a visually stunning film, that comes close to being pure cinema, that is, a work devoted almost exclusively to the visual. It is pretty much all about the mood produced by lush images. Coherent story-telling is of little or no concern.

The golden-masked warrior (left) and Yinniang

Thus the film is often quite enigmatic. For example, after Nie Yinniang has reveled herself to Tian one night, there is a brief scene -- shot in daylight -- in which a female warrior with a golden mask is seen. One gets the impression that she is in the employ of Tian, but this is only an impression. Later this warrior and Yinniang meet in a forest and engage in combat. Just who this warrior is and why she confronts Yinniang are matters that Hou leaves to the viewers imagination; the film is about showing, not explaining.

Since this is nominally a wuxia ("martial hero" story, some attention must be paid to the fighting scenes. These tend to be brief, explosive bursts of energy that punctuate the slow pace that marks the vast bulk of the film. His actors and actresses are not really trained in the martial arts so extensive, complicated segments were not possible. Consequently the fight scenes tend to be marked by frequent and rapid editing. There is even one confrontation in which Yinniang fights several opponents that has an extensive portion filmed in an extremely long shot shot with much of the action taking place behind the trees seen in the distance!

For this reason, it seems that many viewers -- expecting a martial arts film at least along the lines of Ang Lee's Crouching Tiger, Hidden Dragon (2000) or even Wong Kar-wai's The Grandmaster (2013) -- have come away disappointed.

So if you're after a martial arts slug-fest, you'd best look elsewhere.

But if you're in the mood for a visually stunning film that will transport you to an ethereal vision of ancient China, The Assassin will more than satisfy you.

Bonus Features Include:
-- Behind-the-Scenes (four short featurettes)
  --  Nie Yinniang
  -- The Actors: No Rehearsals
  -- The Fights Between Masters
  -- A Time Machine To The Tang Dynasty
-- Trailer

AsianCineFest Rating: 4 out of 4 stars as an art house movie; 2.0 out of 4 as a martial arts film

Saturday, December 12, 2015

Hou Hsiao-hsien's THE ASSASSIN coming to home video January 26

Well Go USA
Presents
The Assassin / Nie yin niang
Directed by Hou Hsiao-hsien
Taiwan/China/Hong Kong/France, 2015, 105 minutes

The Critically-Acclaimed Martial Arts Drama from
Legendary Director Hou Hsiao-hsien Arrives on
Blu-ray™, DVD & Digital HD January 26

Back with his first film in eight years, award-winning Taiwanese director Hou Hsiao-hsien (Flight of the Red Balloon, Three Times) wowed this year’s Cannes Film Festival (where he won Best Director) with his awe-inspiring The Assassin, debuting on Blu-ray™, DVD and Digital HD January 26 from Well Go USA Entertainment.

Rich with shimmering, breathing texture and punctuated by brief but unforgettable bursts of action, The Assassin is a martial arts film like none other. The visually stunning film blends tragic historical drama with thrilling swordplay and martial arts in this story of an exiled assassin (Shu Qi, Tai Chi Hero, The Transporter) who must choose between love or duty when she receives orders to kill a man (Chang Chen, Crouching Tiger, Hidden Dragon and The Grandmaster) from her past. With a Certified Fresh rating of 83% on Rotten Tomatoes, The Assassin also stars Zhou Yun (Let the Bullets Fly) and Tsumabuki Satoshi (The Vancouver Asahi).

In addition to winning Best Director at the 2015 Cannes Film Festival, The Assassin also won the Cannes Soundtrack Award for Composer Giong Lim and was nominated for the prestigious Palme d’Or. At the 2015 Golden Horse Film Festival, the film was nominated in 10 categories, taking home prizes for Best Director, Best Feature Film, Best Cinematography, Best Makeup & Costume Design and Best Sound Effects. The Assassin is Taiwan’s submission for Best Foreign Language Film at the 88th Academy Awards®.

Synopsis:
In 9th-century China, Nie Yinniang is a young woman who was abducted in childhood from a decorated general and raised by a nun who trained her in the martial arts. After 13 years of exile, she is returned to the land of her birth as an exceptional assassin, with orders to kill her betrothed husband-to-be. She must confront her parents, her memories, and her long-repressed feelings in a choice to sacrifice the man she loves or break forever with the sacred way of the righteous assassins.

Bonus Features Include:
- Behind-the-Scenes
-  Nie Yinniang
- The Actors: No Rehearsals
- The Fights Between Masters
- A Time Machine To The Tang Dynasty

Monday, May 18, 2015

Well Go USA announces two new Chinese language film acquisitions

Well Go USA has announced the acquisition of two new Chinese language films, The Assassin (Taiwan) and Wild City (Hong Kong).


The Assassin, starring Shu Qi and Chang Chen, heralds the long-awaited return of master filmmaker Hou Hsiao-Hsien. The martial arts epic made John Powers' "10 Must-See Movies At This Year's Festival" in Vogue magazine (April 16th), and Well Go USA has acquired all North American rights to the film. "We have a proud history of supporting films from Taiwan, and Hou Hsiao-Hsien is a legend," said Well Go USA President/CEO Doris Pfardrescher. "It's like someone made a wish list, and we got everything we could have hoped for: Iconic director, stellar cast, and this exciting, moving story - we're very excited to bring this to North America."


Well Go has also acquired Ringo Lam's Wild City, starring Louis Koo, Simon Yam, Philip Ng, and Shawn Yue, with plans for a North American release to coincide with the July 31 theatrical date in China and Hong Kong.

Monday, February 23, 2015

Retrospective of three feature films and one short by talented rising director Midi Z coming to Asia Society

 Homecoming Myanmar: A Midi Z Retrospective
When: March 6 - 13, 2015
Where: Asia Society
725 Park Avenue at 70th Street, NYC
Map

Asia Society New York will present the first U.S. survey of Myanmar-born, Taiwan-based filmmaker Midi Z (b. 1982), a rising talent in international cinema. The series includes all three of the director’s fiction features plus a short film. The director and actress Wu Ke-Xi, a regular of Z’s films, will appear in post-screening discussions.

Z has developed a signature style for his intimate and authentic portraits of people struggling with displacement and poverty on the margins of Myanmar society. Hailing from an ethnic Chinese family in Lashio, a small town in the eastern Shan state, Z draws inspiration from the people he is familiar with in this remote region with a porous border next door to China, Laos, and Thailand. Driven by social and economic hardship, they make ends meet drifting in-between worlds where smuggling and human and drug trafficking are rampant. Compassion and a documentary impulse guide Z’s camera as it quietly observes his characters’ actions and choices in a nonjudgmental manner. Mostly shot guerrilla-style in Myanmar, without official permission, the films also demonstrate formal rigor through meticulously crafted narrative structure and camerawork.

“This film series provides us with the opportunity to examine a rising cinematic voice and to explore how the filmmaker’s unique multicultural background has informed his representation of Myanmar, a country with over 130 officially recognized ethnic groups,” says La Frances Hui, Film Curator, Asia Society.

Born and raised in Myanmar, Z received a scholarship at the age of 16 to attend high school in Taiwan. He later earned a Bachelor’s degree in Industrial and Commercial Design at the National Taiwan University of Science and Technology. In order to cover all his expenses, Z worked as a construction worker, chef, graphic designer, photographer, and commercial director. His college graduation short Paloma Blanca (2006) was selected and presented by acclaimed film festivals including Pusan International Film Festival and Copenhagen Film Festival.

In 2009, he was selected to participate in the Taipei Golden Horse Film Academy under the tutelage of auteur Hou Hsiou-Hsien. Z’s debut feature Return to Burma (2011) was nominated for awards at the International Film Festival Rotterdam and Pusan International Film Festival. He went on to receive a Hubert Bals Fund to make his second feature, Poor Folk (2012).

If these two early features had called attention to Z as an emerging director to watch, his third feature, Ice Poison (2014), established him as a mature cinematic voice with a unique vision. The film premiered at the Berlin International Film Festival, won the Best Film award at the Edinburgh Film Festival, earned Z the Best Director Award at the Taipei Film Festival. The film is lauded in Taiwan as one of the finest films made in recent years.

Tickets: $8 members; $10 students/seniors; $12 nonmembers.

Click here for film descriptions and the program schedule, and to order tickets.

This film series is part of Myanmar’s Moment, a season of programming on Myanmar at Asia Society New York. The film series is programmed by La Frances Hui, Film Curator of Asia Society. Support for this series is provided in part by Taipei Cultural Center of TECO (Taipei Economic and Cultural Office) in New York.

Tuesday, November 25, 2014

TOUCH OF THE LIGHT is available today on DVD from Well Go USA

Well Go USA
Entertainment
presents
 Touch of the Light / Ni guang fei xiang 
Directed by CHANG Jung-chi
Starring HUANG Yu-Siang, Sandrine Pinna,
LEE Lieh, and HSIEH Kan-chun
Taiwan, 2012, 110 minutes

Touch of the Light, Taiwan filmmaker CHANG Jung-chi's  award-winning feature film debut, becomes available today on DVD  and digital from Well Go USA Entertainment.

The film is an expanded remake of CHANG's 37-minute short The End of the Tunnel(2008). Both films were inspired by the true story of HUANG Yu-siang, a blind piano prodigy, when he leaves the security of his family -- mother (played touchingly by LEE Lieh), father, and younger sister -- to attend the music program at a university in Taipei. There he befriends Jie, a young woman who works in a menial service job but wants to become a dancer. In both films HUANG plays himself and Sadrine Pinna portrays Jie.

HUANG's mother drives him from their rural village to the university and helps him learn to navigate the campus.  His roommate CHU Tze-ching (HSIEH Kan-chun), a somewhat portly phys-ed major, arrives and proves to be a true friend.

The film depicts the difficulties HUANG encounters, not just those from his being blind, but even more so those arising from the negative way he's regarded and treated because of his blindness. We also learn about how some such negative encounters in his past have shaped his attitudes towards both his blindness and, to a degree, towards others.

In this poster, HUANG is center left with Pinna next to him. LEE Lieh is at lower left.

The film has an almost documentary feel about it. Partially this comes no doubt from its being derived from real life events. But also it stems from the extensive - perhaps exclusive -- use of natural light throughout. All four of the main actors, HUANG, Pinna, LEE, and HSIEH give lovely, natural performances. Also worth noting is the editing, which is exceptionally outstanding in a sequence near the end of the movie when HUANG and Jie are separately auditioning.

Touch of the Light won Best New Director for Chang at the Golden Horse Awards, one of six awards it has received, in addition to another ten nominations. It was also selected as Taiwan’s official entry for the Best Foreign Language Film category of the 85th Academy Awards®.

Disc Stats:
Audio: Mandarin Dolby Digital 5.1 or 2.0
Subtitles: English/Off
Extras: Trailer; previews of other Well Go USA Entertainment releases

Touch of the Light is a very special film, both touching and life affirming.

AsianCineFest Rating: 3.5 out of 4 stars, very highly recommended.

Sunday, October 26, 2014

Taiwan's TOUCH OF THE LIGHT is coming to DVD & Digital on Nov 25th

Well Go USA Entertainment
presents
Touch of the Light / Ni guang fei xiang
Directed by CHANG Jung-chi
Taiwan, 2012, 110 minutes
DVD SLP: $24.98

Based on an inspiring true story, the award-winning and crowd-pleasing musical drama Touch of the Light will debut on DVD & Digital November 25th. The film is about blind pianist (HUANG Yu-siang, playing himself) who leaves his rural home to attend college in Taipei. There he befriends Jie (Sandrine Pinna), a young aspiring dancer, and encourages her to follow her dream.

A heart-warming tale based on HUANG Yu-siang's actual life, the first feature film by director CHANG Jung-chi (Partners in Crime) is a remake of his 37-minute short The End of the Tunnel (2008), which starred the same two leads. The critically-acclaimed film won Best New Director for Chang at the Golden Horse Awards, as well as being selected as Taiwan’s official entry for the Best Foreign Language Film category of the 85th Academy Awards®.

Synopsis:
A blind piano prodigy. A waitress who dreams of being a dancer. A story of passion, determination, and believing in yourself. Touch of the Light fictionalizes the amazing true story of HUANG Yu-Siang and the journey of discovery from his rural village to a prestigious university where he must find his own way among the other, sighted students. Jie (Sandrine Pinna) chases love and a career in the face of poverty and adversity. Their unlikely friendship provides inspiration and courage, resulting in a joyous final performance that will inspire the heart.

Monday, December 09, 2013

ACF 2048: Jay Chou's colorful, action comedy/musical THE-ROOFTOP will be available tomorrow

Well Go USA
presents
The Rooftop / Tian tai ai qing
Written and directed by Jay Chou
Taiwan/China/Hong Kong, 2013, 120 minutes
Language: Mandarin

The-Rooftop had its international premiere and was given the prestigious position of being the closing night film at the 2013 New York Asian Film Festival. Tomorrow, December 10th, it will debut on Blu-ray, DVD, and digital ((VOD, electronic sell-through, and streaming). This review is based on watching the Blu-ay release.

Taiwanese-born writer, director and star Jay Chou is a major pop star in Asia, having sold more than 30 million albums and received over 350 rewards. Here he plays Gao, one of the denizens of a rooftop community in the imaginary city of Galilee. Gao has gleaming hair with a high pompadour that he keeps in place with a "switchblade" comb. He and his rooftop friends are good-natured, fun-loving types who readily burst into song and dance. (The film features 11 musical numbers.) On the other hand, they're not above engaging in some hard-knuckled kung-fu martial arts action when confronted with bad guys.

This colorful, fanciful and comic tale is a frothy concoction, although last 15-20 minutes do turn dark and serious. As a result, the final scene forms an appropriate bookend with the opening of the film, both taking place at a photography exhibition.

The film is absolutely gorgeous on Blu-ray, and I imagine it looks fine in the other versions. Either a 5.1 or 2.0 Mandarin soundtrack can be chosen. English or Chinese subtitles are available, the latter for non-Mandarin speakers, I assume. The only extras are trailers of the film and of other offerings from Well Go USA.

ACF Rating: 3 out of 4 stars; recommended.

Tuesday, July 10, 2012

ACF 1542: Two New York Asian Film Festival interviews at VCinema


The VCinema Show, an affiliate of AsianCineFest, has a special podcast episode with two interviews I conducted recently.

One was with Pang Ho-cheung, the Hong Kong director of Vulgaria, the raunchy and hilarious opening night film at this year's NYAFF.

The other was a joint interview with Giddens Ko and Michelle Chen, both of whom are from Taiwan. They are, respectively, the director and female lead of You Are the Apple of My Eye. It's a coming of age film, and Giddens'  feature directorial debut, that has set all kinds of box office records in several Asian markets. Michelle was awarded a "Rising Star" award at the festival pretty much on the basis of her breakout performance in it.

Check out the podcast here, or download it from the VCinema podcast listings at iTunes.

Tuesday, July 03, 2012

ACF 1528: Meeting and interviewing Giddens Ko & Michelle Chen

Giddens Ko, left, yous truly, and Michelle Chen
Yesterday I had the great pleasure of spending some time interviewing Giddens Ko and Michelle Chen. They were in town for the New York Premiere of You Are the Apple of My Eye (Taiwan, 2011) at the 2012 NY Asian Film Festival.

Giddens wrote the novel upon which his screenplay was based and also directed. The film just happens to be his first feature film, but it's done with such a sure hand and fine sense of narrative development and pacing that one would never suspect that. It's an autobiographical teen coming of age story set in Taiwan in the 1990s. Michelle portrays Shen Chia-yi, an exemplary high school student who becomes the focal point of the attention of several young male co-students.

Michelle received a well-deserved Star Asia Rising Star Award at the Sunday, July 1st screening which was packed, as was yesterday's screening which took place right after our talk. The final screening will be next Monday, July 9th at 12;30 PM, and as of now, some tickets are still available.

While neither Giddens nor Michelle will be at that screening, just seeing the film is well worth your time. First because it's a sweet, touching teen rom-com that Giddens intended as an apology to a girlfriend to whom he never said "Sorry." Secondly, it also happens to have been wildly successful in several major Asian markets, and if you see it you'll understand why.

Further info about the film and a link to order tickets can be found here.

I'm hoping that the full interview will be run soon as a special podcast at VCinema. If that doesn't work out, I'll be posting a transcription here at AsianCineFest. Stay tuned.