With Dada Chen at NYAFF 2013

With Dada Chen at NYAFF 2013
With Dada Chen at NYAFF 2013

Thursday, November 29, 2012

ACF 1739: UGLYDOLL original graphic novels to launch Summer of 2013 from VIZ Kids imprint

™® and © 2012, Pretty Ugly, LLC. All Rights Reserved
 VIZ MEDIA ANNOUNCES FUN NEW SERIES
OF UGLYDOLL ORIGINAL GRAPHIC NOVELS

Award-Winning Brand Of Distinctive Plush Toy Characters Comes To Life
In A New VIZ Kids Series Set To Launch Next Summer

VIZ Media has announced a publishing deal with Pretty Ugly, LLC, the official licensors of the popular Uglydoll brand, to develop a brand new series of original graphic novels based on the bestselling plush character toys. The Uglydoll series is scheduled to launch Summer of 2013 under the VIZ Kids imprint, and will carry a rating of ‘A’ for All Ages.

VIZ Media’s UGLYDOLL graphic novel series will transport readers to a diverse universe where “ugly” just means unique and different, and celebrating who you are inside and out is the new beautiful. Join Wage, Babo, OX, Ice-Bat and their Uglydoll pals as they express themselves through laughs, tears, love and adventure!

“Uglydoll is an iconic pop culture brand that has helped to question and redefine the very definitions of ugly and cute,” says Beth Kawasaki, Senior Editorial Director. “Each Uglydoll is unique, and possesses its own distinctive characteristics and personalities that everyone can relate to. These adorable and highly original characters will come to life in a series of fun, and funny, adventures and are sure to find their way into the hearts of readers everywhere.”

David Horvath and Sun-Min Kim created the first Uglydoll hand-sewn plush toy in 2001. Since the inception of the first character, Wage™, who David drew on a love letter to Sun-Min, Uglydoll has evolved into an entire universe of characters, stories, and products for all ages. Proven sales and retail are evidenced by the brand constantly winning Best Toy Awards by TIA, Learning Express, Fat Brain Toys, TD Monthly, Oppenheim, Funfare, Parent’s Choice, iparenting, Creative Child among others. UGLYDOLL has achieved status as an ‘evergreen’ property and is merchandised among the biggest brands in the toy market.

For more information on Uglydoll, visit www.uglydolls.com.

For more information on VIZ Kids graphic novels and manga, visit VIZKids.com.

Wednesday, November 28, 2012

ACF 1738: THE RED DETACHMENT OF WOMEN reviewed; screens Friday night November 30th at Asia Society

 The Red Detachment of Women
Directed by FU Jie
With XUE Jinghua
China, 1970, 101 minutes
Color, 35mm.
When: Friday, November 30, 2012, 6:30 pm
Where Asia Society
725 Park Avenue (at 70th Street), NYC

The Red Detachment of Women is a filmed version of a ballet which premiered in 1964. That ballet was adapted from a 1961 film, which was in itself based on a novel by Liang Xin about an actual female division of the Chinese Red Army first formed in 1931.

The story's central character is Wu Qinghua, a peasant girl who escapes from an oppressive landlord called Nanbatian. She is captured, beaten and left for dead. Two members of the Red Army come upon her and point her way to the army's camp. Accepted into the Women's Detachment, she becomes part of an operation to liberate those oppressed by Nanbatian. However, overwhelmed by her hatred of the landlord, she fires at him, prematurely issuing the battle signal. Merely wounded, Nanbatian escapes via a secret tunnel. After being reprimanded, Wu redeems herself with dedication and hard work. In a battle at a mountain pass, Commissar Hong, the male leader of the Women's Detachment, is captured by Nanbatian and his troops. Taken back to Nanbatian's estate, Hong refuses to surrender his troops and dies a martyr's death. The Red Army attacks and defeat Nanbatian troops, killing him in the process. Wu is assigned to take over Hong's position as Commissar of the Women's Detachment, and she and her troops will continue the struggle of the revolution. (For a full description of the ballet, see the excellent article at Wikipedia, which I have utilized in the preceding synopsis, by clicking here.)

The film version made ballerina Xue Jinghua an instant star and deservedly so. Though no expert, I used to do some dance photography and have seen a fair share of ballets and other dance forms. Xue is magnificent, with lovely pointe work and beautiful lines. Qingtang Liu as Hong, the other dancers in significant supporting rolls, and the entire corps de ballet acquit themselves more than admirably. Especially impressive is some of the dancing in which ballerinas are toting around rifles in their hands, something one does not encounter in Western ballets. There are also a couple of songs, which makes Red Detachment a sort of ballet/mini-opera. There are a lot of heroic gestures made, hands pointing and fists clenched in firm determination.

Clearly the film is highly propagandist, and elements of it may seem quaint and amusing. But it has terrific dancing. While there is not much partnering in the traditional Western sense, there is one outstanding example in the battle scene at the mountain pass. Because of its extolment of revolutionary ideals, it was one of the few works of its kind that survived the Cultural Revolution of 1966-1976. In fact, it was performed for U.S. President Richard Nixon when he made his historic visit to China in 1972. It is still being performed in China today.

Much more than a mere artifact,  The Red Detachment of Women is marvelously entertaining and a delight to watch. I hope that this rare screening of the film in a 35mm version gets the full house it so richly deserves.

ACF Rating: 4 out of 4 stars, most highly recommended.

This screening of The Red Detachment of Women is part of the film series Goddess: Chinese Women on Screen which runs through December 8, 2012.

And don't forget about tonight's (i.e., Wednesday's) screening of Two Stage Sisters at 6:30 pm.

Tuesday, November 27, 2012

ACF 1737: Weekly Shonen Jump Alpha digital manga magazine news

NISEKOI © 2011 by Naoshi Komi/SHUEISHA Inc.
VIZ MEDIA’S WEEKLY SHONEN JUMP ALPHA
DIGITAL MANGA MAGAZINE BEGINS SIMULTANEOUS PUBLISHING
WITH JAPANESE RELEASES ON JANUARY 21, 2013

North America’s Leading Digital Manga Magazine Eliminates
Time Delay To Celebrate One Year Anniversary;
New Series To Join Anthology Starting With NISEKO

VIZ Media will synchronize its WEEKLY SHONEN JUMP ALPHA (WEEKLY SJ ALPHA), a weekly serial anthology of some of the most popular manga series in the world, to Japan releases starting with the January 21, 2013 issue.

WEEKLY SJ Alpha, available exclusively on the VIZ Manga digital platform, will feature new installments of BLEACH, CROSS MANAGE, NARUTO, NISEKOI, ONE PIECE, and TORIKO on the same day as their general release in Japan. Monthly series such as BLUE EXORCIST, RUROUNI KENSHIN: RESTORATION and YU-GI-OH! ZEXAL will debut the closest Monday after the Japanese release. There are also plans for additional series to join the WEEKLY SJ ALPHA lineup.

“North American fans have been waiting for a long time for real-time publishing to synchronize with Japan, and it’s about to happen in WEEKLY SHONEN JUMP ALPHA,” says Alvin Lu, Executive Vice President, Publishing. “A robust VIZ Manga digital infrastructure, combined with our close relationship with WEEKLY SHONEN JUMP in Japan allows us to close the gap in release schedules. We look forward to fans continuing to look to WEEKLY SHONEN JUMP ALPHA for the latest hot new manga titles straight from Japan!”

WEEKLY SJ ALPHA also launches its newest weekly manga title today as it debuts Naoshi Komi’s romantic comedy series, NISEKOI (rated ‘T’ for Teens). In the laugh-out-loud feel-good manga series, it was hate at first sight...rather a knee-to-the-head at first sight when Raku Ichijo meets Chitoge Kirisaki! Unfortunately, Raku’s gangster father arranges a false love match with their rival’s daughter, who just so happens to be Chitoge! However, Raku’s searching for his childhood sweetheart from ten years ago, with a pendant around his neck as a memento, and he can't even remember her name or face! For a free sample, fans are invited to check out the WEEKLY SHONEN JUMP ALPHA Starter Pack, which has been updated to include Chapter 1 of NISEKOI, available from SJalpha.com and VIZManga.com.

NISEKOI, Volume 1 is also available for digital download for $4.99 (USD/CAN) VIZ Manga, VIZ Media’s innovative digital platform that allows for complete interoperability to read manga from your iPhone, iPod touch, iPad, and supported Android smart phones and tablets (including the Kindle Fire), with VIZManga.com for desktop/laptop computers. With one account, registered users are able to view their purchases across even more devices than ever, and the rapidly growing platform features over 1,000 volumes across 100 different series.

Each digital edition of WEEKLY SJ ALPHA treats manga fans across North America to the latest chapters of some of the world’s most popular manga titles, and is available through the VIZ Manga digital platform through an annual membership that provides 52 weeks of digital access to 48 weekly issues for just $25.99. Members also receive exclusive Yu-Gi-Oh! TRADING CARD GAME promotional cards throughout the year, an annual collector’s yearbook and access to exclusive content, including creator interviews and exclusive videos.

For more information on WEEKLY SJ ALPHA and exclusive subscriber offers, visit SJalpha.com.

To learn more about VIZ Manga and to download the VIZ Manga App, visit VIZManga.com and www.viz.com/apps.

ACF 1736: Theatrical release of DRAGON on November 30th

Dragon / Wu Xia
Directed by Peter Ho-Sun Chan
Hong Kong/China, 2011, 98 minutes
Starring Donnie Yen, Takeshi Kaneshiro, Tang Wei

Dragon (a.k.a. Wu Xia) , a terrific combo martial arts and detective mystery movie, was shown at the 2012 New York Asian Film Festival this past July. The film will begin its U.S. theatrical run this coming Friday, November 30th, 2012, in eight confirmed markets (listed at the end of this review). As many as seven additional markets may be added.

Donnie Yen as Liu Jinxi

Donnie Yen (Hero; Seven Swords; Kill Zone; both Ip Man films, etc.) stars as Liu Jinxi, a papermaker and seemingly run-of-the-mill fellow. He’s married to lovely Ayu (Tang Wei, Late Autumn; Crossing Hennessey; and Lust,Caution). They have two boys: the older is Ayu’s from her previous husband, who abandoned her and the child, the younger one is her’s and Jinxi’s. They live in a small, remote village in Yunnan in southwest China.

Tang Wei as Ayu, Liu Jinxi's wife

Their life of peaceful anonymity and marital bliss goes all to hell one day in 1917 when two thugs come into a village store and demand money. When the shopkeeper tries to resist, the pair go ballistic on him and everyone else in the store. Initially cowering behind a cabinet, Jinxi emerges and wraps his arms around the larger would-be-robber. Holding on for dear life, he is flung around the store and ultimately winds up in a river. But it’s the two robbers who somehow end up dead. When it turns out that one of them was a top wanted criminal, Jinxi becomes somewhat of a celebrity and is commended for his role in bringing the pair to justice, though he claims that he was just lucky.

Takeshi Kaneshiro as Inspector Xu Baijiu

Inspector Xu Baijiu (Takeshi Kaneshiro, Chungking Express, House of Flying Daggers, the two-part Red Cliff movie) is unconvinced. With his glasses and straw hit, he displays Sherlock Holmes-like investigative abilities, including that of recreating exactly what happened by carefully examining the evidence and the testimony of those involved. Having made the mistake of going easy on a young criminal in the past, a mistake that cost innocent people their lives, Baijiu is fanatical about enforcing the letter of the law. He doggedly pursues Jinxi, not believing his account of what transpired with the two crooks and convinced that he is hiding something from his background. As a result Ayu comes to question everything she thought she knew about her husband, and the lives of Jinxi, his family, Baijiu and all the villagers are threatened by a group known as the 72 Demons, led by Jimmy Wang Yu, star of the legendary Shaw Brothers film The One-Armed Swordsman (1967).

Jimmy Wang Yu (left), the head of The 72 Demons

Like the films of Quentin Tarantino, Dragon alludes to many other movies. The revealing of the surprising past of a seemingly ordinary family man is reminiscent of David Cronenberg’s A History of Violence. Baijiu, as I’ve already indicated, comes across much like an early 20th Century Chinese Sherlock Holmes. There are visual flourishes of the body’s inner workings similar to goings on in Andrzej Bartkowiak’s Romeo Must Die. And besides the presence of Jimmy Wang Yu, who is absolutely fantastic here, there is, suffice it to say, another nod to The One-Armed Swordsman.

This is in no way to cast any pallor on Chan’s film. I loved the references, nods or similarities I noticed. But it won’t diminish your enjoyment of Dragon one bit if you have no familiarity with any of the other movies alluded to.

Director Chan (The Warlords, Bodyguards & Assassins) has crafted a fabulous tale that features terrific martial arts. (Yen, besides starring, was also the action director). Dragon also offers compelling family drama and intriguing criminal investigative techniques. Underlying it all is the question — and it’s a big one that’s given serious and due weight here — of whether or not one can really achieve redemption and truly atone for past mistakes, sins and crimes.

ACF Rating: 3.5 out of 4 stars; very highly recommended.

These are the markets that have been confirmed so far:
 

1. NY: Village East
2. LA: Sundance Sunset
3. Cleveland: Atlas Great Lakes Stadium
4. Hartford, CT : Front Street 4
5. Orlando: Colonial Promenade
6. Tampa: Britton 8
7. Phoenix:  Shea 14, Scottsdale
8. San Diego: Gaslamp

Check local listings for showtimes.

ACF 1735: Bruce Lee remembered

Bruce Jun Fan Lee
Born November 27, 1940, San Francisco
Died July 20, 1973, Hong Kong

Bruce Lee was the single person most responsible for reinventing and reinvigorating the Asian martial movie and making the genre popular in the United States and other western countries. He would have marked his 72nd birthday today if he had not died such a tragically early death in 1973.

Born in the U.S. to Chinese parents who were touring with a Chinese opera company, he grew up in Hong Kong, but returned to the U.S. in 1959. Most accounts attribute his return to his father's concern for his safety after Bruce got in a fight with the son of a feared Triad [Chinese criminal gang] member. He majored in Philosophy at the University of Washington, where he met his future wife Linda Emery. They later had two children. Son Brandon Lee, was born in 1965 and died in a tragic weapons accident on March 31, 1993 while filming The Crow. Daughter Shannon Lee, born 1969, has worked as both an actress and as a producer. Interestingly her first credited film role was as the "Party Singer" in Dragon: The Bruce Lee Story, the rather under-rated 1993 bio-pic in which Jason Scott Lee starred as her father.

Lee was the real deal - a true martial arts master. He developed his own martial arts system, known as Jeet Kune Do or the Way of the Intercepting Fist. A non-formalized style, it emphasized "practicality, flexibility, speed and efficiency." [source: Wikipedia]

Lee appeared in films from a young age because his parents were in Chinese opera. However, it was in the United States, after he began teaching martial arts to such film stars as Steve McQueen and James Coburn, that his career really began. He starred as Kato in the 1966-67 television series The Green Hornet. Reportedly, he felt that his future in Hollywood was limited after he was passed over for the role of Kwai Chang Caine in the Kung Fu TV series, a role that went instead to David Carradine.

Bruce returned to Hong Kong, where film producer Raymond Chow offered him the lead in Tang sha da xiong, or The Big Boss in English. The film was a huge hit, as were his next two films. But it was with Enter the Dragon, co-financed by Warner Brothers, that Bruce's international reputation was immortalized. The final fight in the room of mirrors is one of the most iconic of all martial arts film sequences.


Sadly, Bruce died before the film premiered. He was visiting actress Betty Ting Pei, who gave him one of her prescription pills because he had a headache. He had an adverse reaction, could not be revived, and died later that day of cerebral edema.

Bruce is most fondly remembered for:

The Big Boss (a.k.a. Fists of Fury), 1971
Fist of Fury (a.k.a. The Chinese Connection), 1972
Way of the Dragon (a.k.a. Return of the Dragon) 1972
Enter the Dragon, 1973
Game of Death, 1978 (Most of this film was shot after his death using a stand-in for Bruce. Still, the last sequence, as the real Bruce fights his way up a pagoda, facing increasingly difficult opponents on each successive floor, is fantastic. It plays like a series of boss fights in a live action video game.)

Only the first two of these were released in the United States prior to his death.

Enter the Dragon is available on DVD from Warner Brothers.

The other four films can be found in Bruce Lee: The Master Collection from 20th Century Fox, which also includes a bonus disc of documentary footage. They are, however, dubbed versions. It would be great if at some point the original versions, with good subtitles, become available.

In the meanwhile, all of these films are wonderful ways to remember Bruce and keep his spirit alive.