Monday © 2000 Cine Qua Non Films
America’s First Major Retrospective of Japan’s Explosive
Film Auteur Features 6 Films with 1 International Premiere
Run, Salaryman, Run! A Retrospective of Sabu’s Film Works
January 26-February 5, 2011, at Japan Society
** With Live Appearances by Sabu **
America’s First Major Retrospective of Japan’s Explosive
Film Auteur Features 6 Films with 1 International Premiere
Run, Salaryman, Run! A Retrospective of Sabu’s Film Works
January 26-February 5, 2011, at Japan Society
** With Live Appearances by Sabu **
Born Hiroyuki Tanaka (1964), Sabu is the cult auteur of "punk n' roll," alternative comedies, often imitated, never equaled, and far too rarely shown in the U.S. since his 1996 feature debut, Non-Stop, a.k.a DANGAN Runner.
Japan Society’s Film Program now breaks the barrier with America’s first major retrospective Run, Salaryman, Run! A Retrospective of SABU’s Film Works, featuring 6 of Sabu’s 11 feature films, (a twelfth is due in 2011) from January 26 through February 5. In addition to Non-Stop, Run, Salaryman, Run! includes Monday, Postman Blues, Postman Blues, Drive, The Blessing Bell, and the big screen International Premiere of Troubleman. Sabu will make live appearances to introduce Monday, Postman Blues, and Non-Stop, and take part in a Q&A following each of these three films.
Smart, fun and explosive, Sabu delivers the high speed, high style, hard luck, and quirky lusts and lunacies of post-Bubble Japan. In a world of hazards and happenstance, he zeroes in on blue and white collar everymen tossed into dangerously absurd situations from which they desperately try to run. Speeding along at breakneck pace, Sabu brings a fresh and frantic twist to traditional film genres (the yakuza film, the thriller, etc.), juicing their lean, clean-cropped premises with electroshock cinematic style and über edgy music scores.
“Sabu has drawn comparisons with Buster Keaton, Johnnie To and Doug Liman,” says Samuel Jamier, director of Japan Society’s Film Program. “His debut was definitely a precursor to Run Lola Run, and his innovative use of music could easily be described as Tarantino-esque. But his satirical jamborees, more than just friendly black comedies, are unlike anything else on the silver screen: they are stamina tests, survival riffs, and victory rolls. His work is the embodiment of the waning days of ‘Cool Japan’, and an important marker of the vibrancy and vitality of contemporary Japanese cinema.”
Tickets are $12/$9 Japan Society members, students & seniors. Members can purchase the Sabu Series Discount Pass and receive passes to all 6 films for $40 (limit two passes per member). For trailers, tickets or more information, visit www.japansociety.org/film.
Japan Society is located at 333 E. 47th Street, between 1st & 2nd avenues, NYC.
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