Directed by LIM Woo-Seong
2010, 113 minutes
Where: Tribeca Cinemas
54 Varick Street, on the corner of Canal Street
One block from the A, C, E and 1 train Canal Street stops
When: Tuesday, June 7 @ 7PM
Doors open at 6:30 PM
All seating is first-come, first served.
New York Premiere
Vegetarian is quite simply the best film I've seen since watching Poetry by LEE Chang-dong (another Korean director) last fall. And considering how much I've praised LEE's films, you can appreciate how impressed I was by LIM's film. And it's screening tomorrow night for FREE!! as part of Korean Cultural Service's Korean Movie Night's current series, The Hidden Gems of Korean Cinema.
The movie begins in a wooded area. Rain is falling as the camera moves forward to reveal a slim woman standing by herself. She is Yeong-hye, and she is soon joined by three figures who have come to retrieve take her back to the hospital from which she's been wandered. The movie switches between flashback scenes depicting how Yeong-hye came to be hospitalized for mental and eating disorders and scenes set at the hospital where she is visited by her older sister.
Yeong-hye's problems began because of dreams she had, ones that we only learn about to a degree and over the course of the movie. One night, her husband Gil-soo found her in the kitchen where she was throwing out all the meat in the refrigerator. Things come to the point where she claims she can smell meat her husband has eaten elsewhere through the pores of his skin.
When her husband must go out of town on business, she stays with her sister and brother-in-law and their young son. Min-ho Cho, the brother-in-law, is a video artist with a severe block. Observing Yeong-hye inspires him and he begins to fill his sketchbook with drawings at a furious pace. Eventually he asks her if she'll pose for him, allowing him to paint flowers and plants on her nude body, then videotape her.
When she agrees, he asks her to keep this a secret from her sister, his wife. Does he do this because he senses that this isn't a right thing to do, or is it merely a precaution to prevent conventional thinking from keeping him from realizing his artistic vision? Or perhaps a combination of the two?
These are the two threads with which the film weaves its engrossing tale: Yeong-hye's bizarrely intense aversion to meat -- with no attempt to eat a healthy vegetarian diet -- and Min-ho's artistic quest. Or is the latter really a quest for sexual intimacy with his sister-in-law?
another model (left). Note Min-ho's video camera at right.
Based on the novel of the same name by HAN Kang, Vegetarian is a riveting psycho-sexual drama. I found it so engrossing that I was very tempted to immediately watch it a second time. Although that wasn't practical -- too many other films to watch and review right now -- it's definitely a film that I will be revisiting more than once. With only one viewing, I can't say definitively that it's a work of cinematic perfection, but if not it's damn close.
What a terrific film! Thank you Korean Cultural Service!
ACF Rating: 4 out of 4 stars, highest recommendation.