With Dada Chen at NYAFF 2013

With Dada Chen at NYAFF 2013
With Dada Chen at NYAFF 2013
Showing posts with label drama. Show all posts
Showing posts with label drama. Show all posts

Tuesday, April 23, 2019

THE GREAT BUDDHA+ coming to DVD and Blu-ray on April 26, 2019

Cheng Cheng FIlms
Presents
The Great Buddha+
Written and Directed by HUANG, Hsin-Yao
Starring: CHUANG, Cres / CHEN, Bamboo/ DAI, Leon
Taiwan, 2017, 104 minutes

The Great Buddha+, a terrific Taiwanese satire, will become available on DVD and Blu-ray on April 26th, 2019. The release will include these bonus features: The Great Buddha (short film), Making-of, and Trailer.


Underlining the gap between the olifves of the have-nots and the elites by switching between black and white and glamorous colors, Taiwan's 91st OSCARS® entry The Great Buddha+ vividly illustrates a corrupted village in rural southern Taiwan with memorable style, heartfelt empathy, and whimsical humor. Security guard Pickle and his trash collector friend Belly Button kill time together in night shifts watching the American-educated boss's dash-cam recordings of his various sexual encounters with women. Against the buddies’ will, something horrifying rather than erotic reveals.

Friday, June 22, 2018

THE GREAT BUDDHA + plays in Seattle on Sunday July 1, 2018

Cheng Cheng Films
Presents
THE GREAT BUDDHA +
Written and directed by HUANG Hsin-Yao
Producer by YEH Jufeng and CHUNG Mong-Hong
Starring CHUANG Cres, CHEN Bamboo, and DAI Leon
Taiwan, 2017, 104 minutes

THE GREAT BUDDHA +, a wonderful drama from Taiwan, will be playing in Seattle on Sunday, July 1, 2018 at SIFF Cinema Uptown, 511 Queen Anne Ave N.

Synopsis:
Provincial friends Pickle and Belly Button idle away their nights in the security booth of a Buddha statue factory, where Pickle works as a guard. One evening, when the TV is on the fritz, they put on video from the boss’s dashcam—only to discover illicit trysts and a mysterious act of violence. Expanded from a short, Huang Hsin-yao’s fiction feature debut The Great Buddha + (the plus sign cheekily nodding to the smartphone model) is a stylish, rip-roaring satire on class and corruption in contemporary Taiwanese society. (New Directors New Films)

I saw the film this past April in conjunction with its New York Premiere at the New Directors New Films series jointly presented by the Museum of Modern Art (MoMA) and the Film Society of Lincoln Center.

AsianCineFest Rating: 3.5 out of 4 stars; highly recommended.

Friday, January 15, 2016

REMEMBER YOU opens in L.A. today and in Dallas on January 22nd

CJ Entertainment
Presents

CJ Entertainment’s new romance/mystery film, Remember You, is opening at CGV Cinemas in Los Angeles toady, January 15 and at Cine Oasis in Dallas on January 22. The drama is directed by LEE Yoon-jung.

Synopsis:

After losing 10 years of his memories in a car accident, Suk-won (JUNG Woo-sung) is trying to rebuild his career and more importantly his love life. Fighting to uncover the mysteries in his past, Suk-won is unable to trust anyone around him as he tries to put his life back on track. With his family, friends and even his own identity now just a blur, he encounters a woman, Jin-young (KIM Ha-nel). Although he has no recollection of knowing her, this encounter triggers a relationship between the two and brings a newfound happiness into Suk-won’s life.

Tuesday, March 03, 2015

LOST AND LOVE theatrical opening in North America on March 20th, 2015

China Lion Film to release East West Bank-sponsored
LOST AND LOVE (SHI GU)
starring Andy Lau, day-and-date with Mainland China
 Lost And LoveShi Gu
Written and directed by Peng Sanyuan
China, 2015

China Lion Film Distribution has acquired and will release the drama Lost And Love (Shi Gu), which stars Hong Kong acting legend Andy Lau. East West Bank will be the official sponsor of the North America release.

Lost And Love will open March 20th, 2015, in select theaters throughout the US and Canada, including Boston, Calgary, Chicago, Edmonton, Lansing, Los Angeles, Montreal, New York, the Orange County/Irvine/Tustin area, San Diego, San Francisco and the surrounding Bay Area, Seattle, Toronto and Vancouver, as well as throughout Australia and New Zealand, all day-and-date with the Chinese Mainland release.

By opening with the worldwide release, China Lion will allow audiences in both the U.S. and Canada to see the film at the same time as Mainland audiences. A complete theatre listing will be available in the coming weeks at the company’s official website, www.chinalionentertainment.com.


In addition to Lau, the film also stars Jing Boran, who co-starred in Rise of the Legend, The Guillotines and Love In Space and features special appearances by Sandra Ng and Tony Leung Ka-fai. It details a true story from the Hubei province of China about a father’s search for his long lost son after a suspected child abduction. The film is produced by Wang Zhonglei, Chan Pui-wah and Zhang Dajun and by the Huayi Bros. Media Group, Beijing Yuanhesheng Entertainment, Chongqing Film Group, Xiamen Navigation Media and Good Friends Entertainment. The film was acquired from IM Global, a leading independent film and television financing, sales and distribution company. Lau previously starred in the critically acclaimed China Lion Film release A Simple Life, directed by Ann Hui.

Synopsis:
After losing his two-year-old son, Lei (Andy Lau) begins a fourteen-year-long quest in search of his missing child. On the road, he makes a stop at a repair shop where he comes across a young repairman, Ceng (Jing Boran), who was also kidnapped at the age of four. Robbed of the life he was meant to live, Ceng can only vaguely remember snippets of home — a chain-link bridge, bamboo trees, and his mother’s long braids. Lost And Love (Shi Gu) is an uplifting portrait of two lost souls who forge an unlikely friendship and, in the face of a hopelessness and despair, inspire courage and perseverance in one another.

Sunday, February 08, 2015

Korean musical drama C'EST SI BON coming to North America on Feb 13th


CJ Entertainment will be releasing C’est Si Bon, a Korean musical drama, in the U.S. and Canada on Friday, February 13th in select theaters. The film takes audiences on a musical journey following Korea's most beloved folk artists and the woman that brought their music to life. For information about cities and theaters, click here.


Synopsis:
Oh Geun-tae (JUNG Woo) is a country boy with a booming baritone who is discovered by aspiring singer-songwriter Lee Jang-hui (JIN Goo) and thrust into the bustling world of Seoul’s iconic folk music cafĂ©— C’est Si Bon. Unwittingly, he becomes the third member of the yet-to-debut “C’est Si Bon Trio” and the begrudging buffer between two rival musicians—the vocal genius, Song Chang-shik (JO Bok-rae), and the heartthrob, Yoon Hyeong-ju (KANG Ha-neul). Amidst the smoke and chatter of C’est Si Bon’s youthful clientele, they meet aspiring actress Min Ja-young (HAN Hyo-joo) and find themselves completely bewitched. Will their muse inspire them to create legendary music, or tear them apart before they even begin?

Monday, December 29, 2014

KILLERS to open January 23rd, 2015

Well Go USA
Entertainment
presents
Killers
Directed by The Mo Brothers
Produced by Gareth Evans of The Raid films
Starring: Kazuki Kitamura, Oka Antara, Rin Takanashi, Epy Kusnandar
Indonesia/Japan, 137 minutes

Killers, the latest offering from The Mo Brothers (Kimo Stamboel and Timo Tjahjanto) will open in theaters and On Demand January 23, 2015

Synopsis: A series of horrific murders have just gone viral, posted anonymously by the handsome and seductive Nomura (Kazuki Kitamura) with a taste for torture. Thousands of miles away, disgraced journalist Bayu (Oka Antarra) can’t stop watching – and in a reckless moment discovers he, too, can kill. One man in Tokyo. One in Jakarta. A serial killer and a vigilante. As the posts multiply and the body count rises, a bizarre and psychotic rivalry begins – and the face-to-face showdown that’s coming will paint the city in blood.

Official Website: http://wellgousa.com/theatrical/killers

Tuesday, November 25, 2014

TOUCH OF THE LIGHT is available today on DVD from Well Go USA

Well Go USA
Entertainment
presents
 Touch of the Light / Ni guang fei xiang 
Directed by CHANG Jung-chi
Starring HUANG Yu-Siang, Sandrine Pinna,
LEE Lieh, and HSIEH Kan-chun
Taiwan, 2012, 110 minutes

Touch of the Light, Taiwan filmmaker CHANG Jung-chi's  award-winning feature film debut, becomes available today on DVD  and digital from Well Go USA Entertainment.

The film is an expanded remake of CHANG's 37-minute short The End of the Tunnel(2008). Both films were inspired by the true story of HUANG Yu-siang, a blind piano prodigy, when he leaves the security of his family -- mother (played touchingly by LEE Lieh), father, and younger sister -- to attend the music program at a university in Taipei. There he befriends Jie, a young woman who works in a menial service job but wants to become a dancer. In both films HUANG plays himself and Sadrine Pinna portrays Jie.

HUANG's mother drives him from their rural village to the university and helps him learn to navigate the campus.  His roommate CHU Tze-ching (HSIEH Kan-chun), a somewhat portly phys-ed major, arrives and proves to be a true friend.

The film depicts the difficulties HUANG encounters, not just those from his being blind, but even more so those arising from the negative way he's regarded and treated because of his blindness. We also learn about how some such negative encounters in his past have shaped his attitudes towards both his blindness and, to a degree, towards others.

In this poster, HUANG is center left with Pinna next to him. LEE Lieh is at lower left.

The film has an almost documentary feel about it. Partially this comes no doubt from its being derived from real life events. But also it stems from the extensive - perhaps exclusive -- use of natural light throughout. All four of the main actors, HUANG, Pinna, LEE, and HSIEH give lovely, natural performances. Also worth noting is the editing, which is exceptionally outstanding in a sequence near the end of the movie when HUANG and Jie are separately auditioning.

Touch of the Light won Best New Director for Chang at the Golden Horse Awards, one of six awards it has received, in addition to another ten nominations. It was also selected as Taiwan’s official entry for the Best Foreign Language Film category of the 85th Academy Awards®.

Disc Stats:
Audio: Mandarin Dolby Digital 5.1 or 2.0
Subtitles: English/Off
Extras: Trailer; previews of other Well Go USA Entertainment releases

Touch of the Light is a very special film, both touching and life affirming.

AsianCineFest Rating: 3.5 out of 4 stars, very highly recommended.

Sunday, October 26, 2014

Taiwan's TOUCH OF THE LIGHT is coming to DVD & Digital on Nov 25th

Well Go USA Entertainment
presents
Touch of the Light / Ni guang fei xiang
Directed by CHANG Jung-chi
Taiwan, 2012, 110 minutes
DVD SLP: $24.98

Based on an inspiring true story, the award-winning and crowd-pleasing musical drama Touch of the Light will debut on DVD & Digital November 25th. The film is about blind pianist (HUANG Yu-siang, playing himself) who leaves his rural home to attend college in Taipei. There he befriends Jie (Sandrine Pinna), a young aspiring dancer, and encourages her to follow her dream.

A heart-warming tale based on HUANG Yu-siang's actual life, the first feature film by director CHANG Jung-chi (Partners in Crime) is a remake of his 37-minute short The End of the Tunnel (2008), which starred the same two leads. The critically-acclaimed film won Best New Director for Chang at the Golden Horse Awards, as well as being selected as Taiwan’s official entry for the Best Foreign Language Film category of the 85th Academy Awards®.

Synopsis:
A blind piano prodigy. A waitress who dreams of being a dancer. A story of passion, determination, and believing in yourself. Touch of the Light fictionalizes the amazing true story of HUANG Yu-Siang and the journey of discovery from his rural village to a prestigious university where he must find his own way among the other, sighted students. Jie (Sandrine Pinna) chases love and a career in the face of poverty and adversity. Their unlikely friendship provides inspiration and courage, resulting in a joyous final performance that will inspire the heart.

Friday, September 26, 2014

LILTING opens today at the Village East Cinema in New York City

Strand Releasing
presents
Lilting
Written and Directed by Hong Khaou
Starring: Ben Whishaw, Cheng Pei Pei and Andrew Leung
United Kingdom, 2014, 91 minutes

Lilting, Cambodian-born writer/director Hong Khaou's poignant feature film debut and winner of the 2014 Sundance Film Festival's Best Cinematography Award, is scheduled to open in New York today, Friday, September 26 at the Village East Cinema and in Los Angeles on Friday, October 3rd at the Sundance Sunset Cinema and Laemmle’s Playhouse, with a national roll out to follow.

It's a remarkable film about love, loss, and memory. Indeed, one of the fabulous cinematic tricks employed by the film involves how powerful memory can make the past seem like it's taking place in the immediate present.

Cheng Pei Pei as Junn

Cheng Pei Pei (Come Drink with Me; Crouching Tiger, Hidden Dragon) stars as Junn, a Cambodian/Chinese woman living in a home for the elderly in London. She'd been put there, with the expectation that it would only be temporary, by her son Kai (Andrew Leung).

Junn, despite living in England for many years, has never learned to speak English and is, for all intents and purposes, totally unassimilated. Her situation is compounded because her son, who unbeknownst to her was gay, dies in an vehicular accident. Richard (Ben Whishaw), Kai's lover, visits her and tries to help her adjust to her situation, while keeping secret the real nature of his relationship with her son. Richard hires Vann (Naomi Christie, in her screen debut) as an interpreter so that he can communicate with Junn and also so Junn and her man-friend Alan (Peter Bowles) can communicate with one another.

Ben Whishaw as Richard

All the actors were very good, each performance seemingly effortless and totally natural.  But Cheng Pei Pei was absolutely incredible. She conveys so much with a look, a facial gesture, and her posture that one can get a strong sense of what she's saying -- always in Chinese -- even without reading the subtitles. Frankly, she deserves serious consideration for an Oscar nomination as Best Actress.

Prior to Lilting, 38 year-old Hong Khaou wrote and directed two short films which were selected for the Berlin and Sundance film festivals. In 2013, he was named one of Screen International’s "Stars of Tomorrow", and in 2014, he won the Sundance Institute/Mahinddra Global Filmmaking Award – supporting a new generation of storytellers – for his screenplay Monsoon. He was selected for this past Summer’s Sundance Lab for his next project. Lilting is certainly a most auspicious feature film debut for Khaou.

Vann (Naomi Christie_ and Richard (Ben Whishaw)

AsianCineFest Rating: 3.5 out of 4 stars; highly recommended.

Wednesday, September 10, 2014

First impressions of LILTING

The fabulous Cheng Pei Pei

Yesterday afternoon I went to a pre-release screening of Lilting at the Directors Guild Theater on West 57th Street in Manhattan. It's a remarkable film about love, loss, and memory, and a most auspicious debut for British-Cambodian writer-director Hong Khaou.

Cheng Pei Pei (Come Drink with Me; Crouching Tiger, Hidden Dragon) stars as Junn, a Cambodian/Chinese woman living in a home for the elderly in London. She'd been put there, with the expectation that it would only be temporary, by her son Kai (Andrew Leung). Junn, despite living in England for many years, has never learned to speak English and is, for all intents and purposes, totally unassimilated. Her situation is compounded because her son, who unbeknownst to her was gay, has died in an accident. Richard (Ben Whishaw), Kai's lover, visits her and tries to help her adjust to her situation, while keeping secret the real nature of his relationship with Kai.

I had hoped that the film would be pretty good or at least decent -- mainly because I'm such a fan of Cheng Pei Pei -- but I was blown away but how incredibly touching and powerful it was. All the actors were very good, but Cheng Pei Pei was incredible. Frankly, she deserves serious consideration for an Oscar nomination as Best Actress. She conveys so much with a look, a facial gesture, and her posture that one can get a strong sense of what she's saying -- always in Chinese -- without even reading the subtitles.

The film, distributed by Strand Releasing, is scheduled to open in New York on Friday, September 26 (at the Village East Cinema) and in Los Angeles on Friday, October 3 (at the Sundance Sunset Cinema and Laemmle’s Playhouse), followed by a national roll out.

I'll have a more complete review here at AsianCineFest on or just before the September 26th opening in NY.

Tuesday, September 02, 2014

BUT ALWAYS hits North American theaters this Friday, September 5th

China Lion
presents
 But Always
Written and directed by Snow ZOU
China, 2014, 106 minutes

The Chinese romance/drama But Always begins its North American theatrical run this coming Friday, September 5th. For theater information and to buy tickets, click here.

The film, which marks the directorial debut of Snow ZOU, who also wrote the screenplay, stars Hong Kong star Nicholas Tse (Bodyguards and Assassins, Shaolin) and Mainland Chinese actress Yuanyuan GAO (Caught in the Web, Beijing Bicycle) as two best friends who have lost touch but find each other again. The feature will be Tse’s return to romantic dramas after a ten year absence during which he appeared in a series of action films including The Bullet Vanishes and The Viral Factor (both of which China Lion Film acquired for the North American market).

“I’ve grown used to the sound of his footsteps.”
Friends An Ran (Yuanyuan GAO) and Zhao Yong-yuan (Nicholas Tse) are separated as children and meet again years later in Beijing in the early 1990’s, when An is a university student and Zhao is a hawker. They rediscover their childhood friendship. Zhao helps her raise funds to study abroad. They fall in love, but try to hide it. When Zhao sees An off he cannot help but tells An he wants to take care of her for the rest of her life. An is overwhelmed but does not stay…


“I’ve followed you for so long, of course I can recognize your footsteps.”
Everything has been going wrong for An when in 2001, now successful businessman Zhao runs into her in New York. He wants to be with her. An has given up on their past, but Zhao’s persistence moves her. They decide to get married, but another accident results in their being separated once more. Convinced they will never meet again, An returns to Beijing. And then…

Wednesday, August 20, 2014

LILTING to open in NY on September 26th with national roll out to follow

Lilting
Directed by Hong Khaou
Starring Ben Whishaw, Leila Wong, Morven Christie, and Cheng Pei-pei
United Kingdom, 2014, 86 minutes

"Delicate… hauntingly sexy and even humorous at times, this debut ... wears its stylistic debt to In the Mood for Love on its elegant sleeve… the gentle study of
loss builds quiet emotional power.” - David Rooney, Variety 

British-Cambodian writer-director Hong Khaou's poignant feature film debut, Lilting, winner of the 2014 Sundance Film Festival's Best Cinematography Award, and scheduled to open in New York on Friday, September 26 (at the Angelika Film Center) and in Los Angeles on Friday, October 3 (at the Sundance Sunset Cinema and Laemmle’s Playhouse) followed by a national roll out.

Lilting takes place in contemporary London and features intensely moving performances by Asian cinema’s martial arts legend Cheng Pei Pei (Crouching Tiger, Hidden Dragon) as Junn, a Cambodian-Chinese mother grieving the untimely death of her only son Kai (Andrew Leung), and Ben Whishaw (I’m Not There, Bright Star) as her son's lover, Richard.

Set in her old-fashioned ways and not fully adjusted to the foreign culture she lives in, the mother’s fragile world is suddenly disrupted by the presence of a stranger (Whishaw) whose attempts to communicate are first met with rejection and distrust. Although they don’t share a common language, Vann (Naomi Christie), a young translator hired by Richard, helps piece together the tender memories of the man they both loved, and the two strangers gradually learn to develop a bond with each other. Vann also helps Junn go through the somewhat comical courtship of a smitten English gentleman. Graceful, moving and humorous, Lilting is a gem of a chamber piece about unlikely connections and how loss can bring us together even when cultures and generations set us far apart from one another.

Prior to Lilting, 38 year-old Hong Khaou wrote and directed two short films, which were selected for the Berlin and Sundance Film Festival. In 2013, he was named one of Screen International’s "Stars of Tomorrow", and in 2014, he won the Sundance Institute/Mahinddra Global Filmmaking Award – supporting a new generation of storytellers – for his screenplay Monsoon. Khaou was selected for this Summer’s Sundance Lab for his next project.

Sunday, June 29, 2014

BLIND MASSAGE at NYAFF 2014

Image © Copyright Wild Bunch 2014
Blind Massage / Tui na
Directed by Lou Ye
China, 2014, 117 minutes
When: Monday, June 30 at 8:45pm
and Wednesday, July 2 at 2:30pm 
Where: The Film Society of Lincoln Center's
Walter Reade Theater, 165 W 65th Street, NYC
U.S. Premiere

Synopsis (courtesy Subway Cinema and the Film Society of Lincoln Center):
Easily the most powerful and innovative Asian film of this year, Blind Massage consolidates the rebirth of Mainland director Lou Ye (NYAFF 2013 selection Mystery) as a world-class talent. Lou creates a true ensemble movie: the blind and partially sighted masseurs and masseuses of Sha Zonqi Massage Centre, in Nanjing, central China, a distinctly unglamorous, bottom-line undertaking run by the light-hearted Sha Fuming (Eric Qin Hao) and the more serious Zhang Zongqi (Wang Zhihua).

It’s a powerful ride through a parallel world of metaphysical cinema that Lou first flirted with in Suzhou River (1999) and the big-budget Purple Butterfly (2003), but this time he also shows us a world of faces without eyes, full fathom five into the fundamentals of cinema and the very fabric of perception, a world where light and darkness lose their usual meaning but basic human emotions (love, jealousy, friendship) remain the same.

Alongside its scenes of beauty felt or briefly glimpsed, Blind Massage contains moments of humor, joy, and pure horror, and JĂłhann JĂłhannsson’s music is always there to add color to Lou’s magnificent poetic canvas.

Image © Copyright Wild Bunch 2014

AsianCineFest Thoughts:
I saw Blind Massage at a press screening at the beginning of June. The film is a very compelling drama. What impressed me was how, for the most part, what the blind and partially sighted are concerned with are the same things that the sighted confront: the search for love and companionship, family pressures, and so forth.

Some of the scenes are depicted in what -- for lack of a better term -- I'll call "blind-o-vision." By this I mean that what's depicted on the screen turns dark and out of focus, much like what I imagine a partially sighted person sees. For me this served to create empathy with what the lives of the blind and partially sighted are like in that regard.

Blind Massage is a far different film from the vast majority of those shown at NYAFF, this or any other year. It's to the credit of the Subway Cinema programmers of the festival that they include such a film and it most certainly deserves viewer support.

AsianCineFest Rating: 3.5 out of 4 stars; highly recommended.

These screenings of Blind Massage are part of the New York Asian Film Festival 2014.

Wednesday, February 19, 2014

OUR SUNHI - a Film Comment Selects review

JUNG Yu-mi is everyone's Sunhi
Our Sunhi / U ri Sunhi
Written and directed by HONG Sang-soo
South Korea, 2013, 88 minutes

Our Sunhi is the latest offering from South Korean director HONG Sang-soo. It was the opening night film for the Film Society of Lincoln Center's Film Comment Selects 2014 series this past Monday evening. It will be shown for a second and final time at the film series tomorrow, Thursday, February 20th at 4:45 pm. (Info and tickets here.)


Sunhi (JUNG Yumi) is a film school graduate who returns after being away for quite some time to get a letter of recommendation from Donghyun (KIM Sangjoong), a former professor. Despite graduating, she is yet to have made a film and has decided to continue with graduate studies in the United States. Hence her seeking the recommendation. In the course of events she also encounters Munsu (LEE Sunyun), her former boyfriend who has just completed his first film, and Jaehak (JUNG Jaeyoung, who starred in Moss, 2010), a married director who was senior to Sunhi at the school. All three men seek Sunhi's affection, resulting in quite comical results.

Sunhi (left) and Donghyun (KIM Sangjoong)

The film shares the same interest in filmmakers and cinema that have marked a number of HONG's other films, such as Like You Know It All (2009), Oki's Movie (2010), and The Day He Arrives (2011). It also shares some some of his stylistic trademarks. There is very little camera movement; it is usually locked down, with only the rare pan, tilt, or zoom. The camera is often set square on to what is being filmed, often two or more characters eating and drinking while facing one another across a table. And, of course, there is the repetition of scenes and dialogue, with slight variations in who's speaking the lines and the precise wording.

Munsu (LEE Sunkyun, left) and Sunhi

Furthermore, three of the four leads have appeared in other films by HONG. JUNG was in Oki's Movie and In Another Country (2012); KIM in The Day He Arrives; and LEE in Oki's Movie and Nobody's Daughter Haewon (2013).

Jaehak (JUNG Jaeyoung,,left) shileds Sunhi from the rain

My only real criticism of the film ss the quickness of some of the zooms that occur. They felt jarring and drew too much attention to themselves for my liking. Maybe this was HONG's intention -- to periodically take the viewer out of the narrative by point-out that we're watching a film -- but I could've done with smoother zooms or none at all.

Sunhi's three would-be suitors

Aside from what I found to be distracting zooms, I enjoyed Our Sunhi very, very much. I've seen several of HONG's films and found this one to be his lightest and most funny.

ACF Rating: 3.5 out of 4 stars; very highly recommended. Our Sunhi is clever, delightful, and whimsical, a truly enjoyable viewing experience.

Wednesday, February 05, 2014

THE ATTORNEY opens this Friday in 18 North American markets

Well Go USA
Presents
The Attorney / Byeon-ho-in
Directed by YANG Woo-Seok
Starring SONG Kang-ho, OH Dal-su, KIM Yeong-ae
South Korea, , 127 minutes

This drama, based on true events, will open this Friday, February 7th in sixteen markets in the U.S and two in Canada. For cities, theater information and to buy tickets, click here.

Synopsis: SONG Woo-seok has no clients, connections, or even a college degree, but his eye for business and appetite for money turn him into one of the most successful lawyers in town. But right at the peak of his success, a local teenager is falsely accused of a crime, then beaten and tortured while waiting in jail. Shocked by these conditions, SONG changes the course of his life, and takes on the case no one else will.

Tuesday, November 26, 2013

ACF 2034: CAUGHT IN THE WEB opens tomorrow in NYC, Dec 6th in Los Angeles & other markets

21 Century Shengkai Film
and levelFILM
present
Caught in the Web
Directed by CHEN Kaige
Written by CHEN Kaige and Danian TANG
China, 2012, 117 minutes

Caught in the Web is a contemporary drama helmed by veteran Chinese director CHEN Kaige, whose previous works include such notable films as Farewell My Concubine (1993),  The Emperor and the Assassin (1998), and The Promise (2005). It will open in the U.S. tomorrow, Wednesday, November 27th, 2013 at the Village East theater in New York. The film is slated to open in Los Angeles and other markets on Friday, December 6th. (Check local listings.)

YE Langui (GAO Yuanyuan) is the executive secretary to SHEN Liushu (WANG Xueqi), the CEO of a large Chinese company. Before work one morning, she goes for a medical exam for health insurance and is confronted with the astonishing news that she has advanced lymphatic cancer. Arrangements are made for her to be admitted to a hospital to begin treatment in a week, although the prognosis is grim.

On the 812 bus, YE Lanqui refuses to give up her seat to an elderly gentleman.

Proceeding to work on a bus, YE is understandably absorbed in her thoughts. When she refuses to give her seat to an elderly man, she becomes the object of scorn and derision by other passengers. Aspiring television reporter YANG Jiaqi (WANG Luodan) uses her cell phone to record the incident on video.  She follows YE after she gets off the bus and videos a brief interview of her.

Arriving at work, YE requests a week's leave and a substantial loan from SHEN, without giving any indication of why she needs the time and money. Breaking down at one point, she is gently comforted by SHEN. Just then his wife, Mo Xiaoyu (actress CHEN Hong) comes in the room. Convinced that her wealthy and powerful husband is having an affair with YE, she storms out of the office. SHEN, agrees to give YE the loan and time off that she's requested. Although he will subsequently display the arrogance that often arises from wealth and power, he has a not-inconsequential vein of decency as well.

CHEN Ruoxi (left) and YANG Jiaqi

Meanwhile YANG Jiaqi has shown her footage to CHEN Ruoxi (actress YAO Chen), a TV and Internet producer who realizes it's potential and takes credit for it. YAO is in a relationship with YANG Shoucheng (actor Mark CHAO), who is Jiaqi's cousin and who was with her on the bus. The three of them are currently sharing an apartment

The bus footage goes viral and YE, who initially is identified only as "Sunglasses Girl," is widely reviled for her behavior. Of course, this reaction occurs without the knowledge of the horrible news she had just received from the doctor. YE's situation is made even worse after she is not only identified but also accused by an anonymous caller of being a home-wrecker who is sleeping with her married boss. This situation also leads to problems for SHEN and the company he heads, because it is now known that YE, a.k.a. "Sunglasses Girl," was his secretary.


Over the following week, YE tries to escape from both her medical problem and the increasingly viscous media scrutiny to which she is being subjected. SHEN has to deal with the concomitant public relations problems that have arisen at a crucial point in negotiations related to an important business merger, as well as with his very unhappy wife. Meanwhile Jiaqi, Ruoxi, and Shoucheng have their own various related issues.

In Caught in the Web, international award-winning Chinese director CHEN Kaige has created a brilliant new addition to world cinema, a timely, pertinent and on the money film about the piranha-like feeding frenzy of the media and the webizens it serves. It's most auspicious first release from newcomer levelFILM. With its universal themes, I'll be amazed if the rights for a Hollywood remake of Caught in the Web  aren't snapped up quickly, unless they already have been.

ACF Rating: 4 out of 4 stars; highest recommendation.

Friday, November 08, 2013

ACF 2103: FINDING MR. RIGHT opens today, Friday, November 8th in Seattle, Los Angeles, and New York

China Lion Film
Presents
Finding Mr. Right
Written and directed by Xiao Lu Xue
Starring Wei Tang and Xiubo Wu
2013, China/Hong Kong, 123 minutes

Finding Mr. Right, a big hit in China will be opening today in Seattle, Los Angeles and New York. (Check local listings.) The film is one of China’s highest grossing films. It attracted a large audience there both because of interest in the story’s main backdrop of Seattle and because of the film's rather controversial subject matter.

Wen Jiajia (Actress Tang Wei, Lust Caution) arrives in Seattle on a flight from Beijing and waits curbside in the cold until her ride, Frank Hao (Xiubo Wu) finally arrives thirty minutes late. She's rich, selfish, self-centered, a real prima donna. She thinks she can get whatever she wants because she has access to apparently unlimited wealth, and usually she succeeds. Jiajia is also pregnant.

Formerly an editor for a gourmet food magazine, she has come to the U.S. because her wealthy lover is married and won't seek a divorce. She therefore would not be able to obtain legal permission to give birth in China because of that country's highly restrictive one-child policy.

Wen Jiajia (Tang Wei, left) and Frank Hao (Xiubo Wu)

Frank, who had been a doctor in China, now works as a chauffeur for illegal "birthing houses." For various reasons, Chinese women live in rooms in these houses until they give birth. The landladies of these homes provide room and board as well as transportation to medical appointments, etc.

Jiajia ends up having to stay in a house owned by Mrs. Huang, a Taiwanese landlady. Jiajia immediately buys her way into the largest room in the house. But her high-handed ways are of no avail when her wealthy businessman lover can't come to visit as he'd promise, when she can't reach him by phone, and especially not when her credit card stops being accepted.

As her life takes various twists and turns, it becomes rather problematic as to just who is her "Mr. Right" and whether or not she'll realize it, let alone be able to act upon it.


Actress Wei Tang was blacklisted by the Chinese government because of her participation in Ang Lee's Lust Caution (2007), a film whose subject matter the authorities objected to. This cost her dearly, both in terms of roles and endorsements. She did not appear again in a film until 2010's Crossing Hennessy. The following year she had a lead role in Dragon (a.k.a. Wu xia), which starred Donnie Yen and Takeshi Kaneshiro. She's outstanding in her role in Finding Mr. Right, exhibiting a wide range as Jiajia undergoes significant transformation from an arrogant person of privilege to one of abject poverty.

For his part, 45 year old Xiubo Wuis quite convincing as a man who's been humbled by the course his life has taken, but who hasn't given up on regaining his dignity and his desire to provide both emotionally and financially for his young daughter.

I would describe Finding Mr. Right as primarily a drama, but one with strong rom-com elements. It's well-paced and well-acted. It hits both the serious and dramatic notes with a sure hand. All in all, a most enjoyable watch.

Tuesday, August 20, 2013

ACF 2004: FLOATING CITY - Region 1 Blu-ray review

Floating City
Directed by Yim Ho
Hong Kong, 2012, 105 minutes

Floating City, director Yim Ho's 2012 Hong Kong drama about a businessman who rises from the most humble of roots, becomes available today, Tuesday, August 20th, 2013, from Well Go USA Entertainment. Formats include Blu-ray, DVD, and Digital (video-on-demand, electronic sell-through, and/or streaming).

Bo Wah Chun, second from right, with his son, wife, mother, and daughter

Set initially in the early 1990s, the story is narrated by Bo Wah Chun (played by Aaron Kwok as an adult). He is married to Tai (Charlie Young) with whom he fell in love as a young man, and they have two children (a daughter and a younger son). Mr. Bo has just risen to the top leadership of the Imperial East India Company. He recounts his life (depicted in various flashbacks) which began in extreme poverty. As an infant he was sold to a woman (Josie Ho as the young Mrs. Bo; Nina Paw plays her as an older character) who had had a miscarriage while out on her family's boat in a storm. Mrs. Bo was afraid that she might not be able to get pregnant again, though that turned out not to be the case.

Chun and Tai as a young couple

But the child she buys turns out to be unusual: he has decidedly non-Chinese blue eyes. (Later, when it grows in, his hair will be reddish-brown, and as an adult he will take to dying it black.) The infant also comes with one of his birth-mother's earrings, which will come to play in an extremely touching scene near the end of the film.

Fion Wong assists Mr. Bo in choosing his attire

Because of his looks he is called "mixed" by some Chinese, and "half breed" by Mr. Callahan, a racist British manager/executive at Imperial East, where Chun, as he is more properly called, is able to obtain an entry level position as an office/errand boy. Bright and highly motivated, his talents eventually are recognized by Greg McCordle, the head of the company, who promotes him. He is also mentored by Ms. Fion Wong (Annie Liu), a smart, gorgeous, and worldly-wise young woman who teaches him how to dress like a successful businessman, as well as other social skills.

One might best describe Floating City, which is said to be based on a true story, as a Hong Kong version of the Horatio Alger myth. In over 100 novels written in the 19th century, Horatio Alger, Jr. depicted the rise "from rags to riches" (or at least solid middle-class respectability) of his male protagonists. The formula is usually described as a combination of luck, pluck and virtue, all of which Bo Wah Chun possesses.

Scene set in the anti-British riots of 1967

The script was co-written by director Yim and by Marco Pong. To their credit they have created a rich and balanced film about a turbulent time in Hong Kong's history. There were anti-British riots in 1967 and a great deal of anxiety and concern as colonial rule ended and the territory was returned to Chinese sovereignty in 1997. Far too often, Hong Kong and mainland Chinese films have simply vilified the British.

While I make no apologies for the myriad wrongs inflicted on Hong Kong (and other colonies) by the British (and other imperial powers), I appreciated their being depicted as having various characters, not all being simply villainous cardboard cutouts. Similarly, it's nice to have the negative views of some Chinese addressed. Remember, Bo is called "mixed" by some Chinese and "half breed" by some Britishers, and that he is mentored both by McCordle, who is British, and by Ms. Wong, who is Chinese.

Director Yim Ho, who was born in Hong Kong in 1952, was one of the pioneering auteurs of the Hong Kong New Wave. Two of the previous films for which he is known are Homecoming / Chi sui lau nin (1984) and Red Dust (1991). Floating City is his first film since A West Lake Moment was released eight years earlier in 2004, and it's a most welcome return. He deftly handles material that could easily have been overly melodramatic and saccharine.

ACF rating: 3.5 out of 4 stars; highly recommended.